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Showing 1 to 14 of 14 for “"Invisible man"”.

  1. JAZZ TEMPORALITY AND NARRATIVE: A READING OF RALPH ELLISON'S INVISIBLE MAN

    … and narrative form in Ralph Ellison's <italic>Invisible Man</italic>. Although Ellison rejected the notion that he was a political writer, his novel still functions as a form of protest based on its narrative form which ultimately seeks to undermine traditional formulations of time. …

    wfu Repository record for JAZZ TEMPORALITY AND NARRATIVE: A READING OF RALPH ELLISON'S INVISIBLE MAN (opens in a new tab)

  2. Themes of Exodus and Revolution in Ellison's Invisible Man, Morrison's Beloved, and Doctorow's Ragtime

    … my dissertation I examine the steps in and performance of revolution through the writings of three Postmodern authors, Ralph Ellison, Toni Morrison, and E. L. Doctorow, in light of the model of the biblical Exodus journey and the revolution which precipitated that movement. I suggest that the …

    unt Repository record for Themes of Exodus and Revolution in Ellison's Invisible Man, Morrison's Beloved, and Doctorow's Ragtime (opens in a new tab)

  3. The Post-WWII American Picaro as Prophet of Human Dignity: A Study of Ralph Ellison’s Invisible Man, Flannery O’Connor’s The Violent Bear It Away, and Saul Bellow’s Henderson the Rain King

    … for their explorations of the question of human dignity. As Mark Grief shows in his<em> Age of the Crisis of Man: Thought and Fiction in America, 1933-1973</em>, the central question of this era was about fundamental anthropology: “What is man, and how can we recover him?” Ralph Ellison, …

    denver Repository record for The Post-WWII American Picaro as Prophet of Human Dignity: A Study of Ralph Ellison’s Invisible Man, Flannery O’Connor’s The Violent Bear It Away, and Saul Bellow’s Henderson the Rain King (opens in a new tab)

  4. The Anti-Racist Avant-Garde: Modernist Legacies and Experimentation in Ralph Ellison and James Joyces’ postcolonial and racial subjects

    … won the National Book Award for his 1952 novel Invisible Man, he cemented himself as a crucial figure in the American literary canon. His depictions of the difficulties in African American life remain crucial and relevant to this day, seventy years after their publication. The themes of …

    oxford-brookes Repository record for The Anti-Racist Avant-Garde: Modernist Legacies and Experimentation in Ralph Ellison and James Joyces’ postcolonial and racial subjects (opens in a new tab)

  5. Breaking Sound Barriers: Reading the Jazz Novel as a Model for More Flexible Social Interaction in a Globalized World

    … and structurally in his landmark novel Invisible Man. By integrating the Cuban rhythms of the rumba beneath the jazz aesthetic in the text, Ellison formally mirrors Afro-Cuban jazz, precipitating later transnational and international jazz novels. In the second chapter, I examine the …

    montana-tech Repository record for Breaking Sound Barriers: Reading the Jazz Novel as a Model for More Flexible Social Interaction in a Globalized World (opens in a new tab)

  6. Breaking Sound Barriers: Reading the Jazz Novel as a Model for More Flexible Social Interaction in a Globalized World

    … and structurally in his landmark novel Invisible Man. By integrating the Cuban rhythms of the rumba beneath the jazz aesthetic in the text, Ellison formally mirrors Afro-Cuban jazz, precipitating later transnational and international jazz novels. In the second chapter, I examine the …

    montana Repository record for Breaking Sound Barriers: Reading the Jazz Novel as a Model for More Flexible Social Interaction in a Globalized World (opens in a new tab)

  7. Snap

    … up. Novels such as <em>Ralph Ellison’s</em> <em>Invisible Man</em>, Margaret Atwood’s <em>Surfacing</em>, and Paul Auster’s <em>The</em> <em>New York Trilogy</em> have all examined the issue of finding identity through a breaking of the protagonist. In each case, the protagonists come to a point …

    uno Repository record for Snap (opens in a new tab)

  8. The Picaresque in Six Afro-American Novels

    … The Huts of America, Home to Harlem, Native Son, Invisible Man, Quicksand, and Their Eyes Were Watching God are distinctly picaresque. The genre continues a tradition begun with the trickster tales of Africa (Anansi, the Spider and others), then transformed by Blacks in the American South into …

    uiuc Repository record for The Picaresque in Six Afro-American Novels (opens in a new tab)

  9. "Neurotic Nationalism: The ""American Disease"" in American Modernist Literature"

    … that neurosis is less the successor of than a semantic substitute for the late nineteenth century's ""neurasthenia,"" I show how dominant constructions of the disease in the twentieth century are predicated upon a neurasthenic logic which coordinated American identity with the complex, …

    uiuc Repository record for "Neurotic Nationalism: The ""American Disease"" in American Modernist Literature" (opens in a new tab)

  10. City, suburban and pastoral spaces and the formation of identity in Cold War America (1945-1965)

    … The Monsanto House of the Future & the Playboy Mansion), places (New York City, Southern American states and suburbia) texts, and objects (television & cook books). Racial, sexual and youth identities are examined in chapter one, through the street spaces of Ralph Ellisonʼs Invisible Man (1952), …

    oxford-brookes Repository record for City, suburban and pastoral spaces and the formation of identity in Cold War America (1945-1965) (opens in a new tab)

  11. Invisible men: space, race, and housing in African American literature

    Invisible Men: Space, Race, and Housing in African American Literature” uses an archive of novels written roughly between 1940 and 2000, American Sociology, the philosophy of phenomenology, and ethnography to argue that representations of housing in African American literature form part of a …

    uiuc Repository record for Invisible men: space, race, and housing in African American literature (opens in a new tab)