Global ETD Search

"Combination -Interval Cycles in Igor Stravinsky's ""Canticum Sacrum"""

Fenger, Eric S.University of Illinois at Urbana-Champaign2015

… of a pair of ""ladder of thirds"" combination-interval cycles. The ""basic"" combination cycle is a straight chain of (0134) or (0235) tetrachords, but a ""hybrid"" version is arrived at from which is drawn a single interlocking derivational scheme holding three upper-level serial structures …

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Interval cycles and the cognition of pitch attraction in Western tonal-harmonic music

Woolhouse, Matthew HaroldUniversity of Cambridge2008

cambridge

The Heidegger Collection

Lin, Tung-LungUniversity of North Texas2000

… language of The Heidegger Collection, such as interval cycles, polyrhythmic patterns, algorithmic elements, portamento effects, chaos theory, and oriental influence.

unt Repository record for The Heidegger Collection (opens in a new tab)

Cyclic Patterns in John Coltrane's Melodic Vocabulary as Influenced by Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns: An Analysis of Selected Improvisations

Bair, JeffUniversity of North Texas2003

… Analysis: Coltrane's Major Thirds Harmonic Cycles Used as Melodic Vocabulary; Interval Cycles in Coltrane's Melodic Vocabulary Based on Patterns from Slonimsky's Thesaurus; Summary and Conclusion.

unt Repository record for Cyclic Patterns in John Coltrane's Melodic Vocabulary as Influenced by Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns: An Analysis of Selected Improvisations (opens in a new tab)

Through the Mangrove Tunnels, for String Quartet, Piano, and Drum Set, and “Musical Signification in Thomas Adès’s The Tempest”

Lee, Scott2018

… (2004). At the top of this hierarchy are two interval cycles, the dyadic cycle and the <2,3,4> aligned cycle, which together inform the majority of both melodic and harmonic material in the opera. The dyadic cycle is primarily associated with Prospero, the artifice of his magic, and his plan …

duke Repository record for Through the Mangrove Tunnels, for String Quartet, Piano, and Drum Set, and “Musical Signification in Thomas Adès’s The Tempest” (opens in a new tab)

Night music (compositions, performance and improvisations) –and– Developing a chromatic-intervallic approach to jazz improvisation through reflexive practice. An exegesis

Oehlers, JamieEdith Cowan University, Research Online, Perth, Western Australia2019

… melodic jazz improvisation technique—a chromatic-intervallic approach (CIA). Improvised melodic approaches in jazz music from the 1920s until today have primarily been driven through the development of tension within melody lines by using variations of the scale/chord method and harmonic …

edithcowan Repository record for Night music (compositions, performance and improvisations) –and– Developing a chromatic-intervallic approach to jazz improvisation through reflexive practice. An exegesis (opens in a new tab)