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Showing 1 to 5 of 5 for “"Interval Class"”.

  1. Sonority and Linear Structure in Three Early Works of Olivier Messiaen

    … of diatonic and octatonic collections, and set-class analysis. The latter approach incorporates the harmonic complexity index (HCI) as an innovative harmonic measure calculated from the interval-class vector of each set-class. Informed by established and recent scholarly work, the introduction …

    denver Repository record for Sonority and Linear Structure in Three Early Works of Olivier Messiaen (opens in a new tab)

  2. The integration of music theory within the high school band rehearsal

    … Representative material for this study included intervals, modes, major and minor scales, pitch-class and interval-class, triads, seventh chords, and transposition. 4. These lessons provided short, sequential units of instruction which were designed to provide opportunities for creative musical …

    ballstate-thes Repository record for The integration of music theory within the high school band rehearsal (opens in a new tab)

  3. Improved thresholding and quantization techniques for image compression

    … median quantization error at each quantization interval class. The results are then compared to the existing algorithms and it is found that the proposed compression algorithm shows double increase in compression ratio performance, produces higher image quality with PSNR value above 40dB and …

    uthm Repository record for Improved thresholding and quantization techniques for image compression (opens in a new tab)

  4. Pitch organisation in the music of Witold Lutoslawski since 1979

    … Pitch Organisation: Harmony', presents a classification of his 12-note chords and chordaggregates. Chapter Four, 'Horizontal Pitch Organisation: Melody', presents a classification of melodic lines based on a technique identified here in terms of interval-class pairings. Chapter Five, …

    whiterose Repository record for Pitch organisation in the music of Witold Lutoslawski since 1979 (opens in a new tab)

  5. Dual-Interval Spaces: Interrelations Between Interval Classes 1 and 5, Local Pitch Centers and Form in Dmitri Shostakovich's Piano Sonata No. 1, Op. 12

    … of the sonata was crafted by an extensive use of interval classes 1 and 5 which serve as the primary means of structuring pitch material.</p> <p>This paper examines the surface combinations of two interval classes as well as their interaction with the structure through composing out, using Stephen …

    usm Repository record for Dual-Interval Spaces: Interrelations Between Interval Classes 1 and 5, Local Pitch Centers and Form in Dmitri Shostakovich's Piano Sonata No. 1, Op. 12 (opens in a new tab)