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Showing 1 to 1 of 1 for “"Interpretative co-authorship (WAM)"”.

  1. The Interpreter as Co-Author: Pianists and the Practice of Interactive Re-Working

    Whilst recent musicological scholarship in the field of WAM performance studies has recognised the creative role of the interpreter, notions that equate work-interpretation with Werktreue have remained almost entirely uncontested, resulting in an apparent presupposition that the composer’s role in …

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