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Showing 1 to 20 of 41 for “"Hurston"”.

  1. Zora Neale Hurston: An Emotional Biography

    "Zora Neale Hurston: An Emotional Biography" is an edition of letters written by Zora Neal Hurston in the final years of her life. Each letter is preceded by an introduction that familiarizes the reader with the social, historical, and emotional context of the letter. This study will attempt to …

    creighton Repository record for Zora Neale Hurston: An Emotional Biography (opens in a new tab)

  2. Silence as Weakness or Strength in Hurston and Morrison

    … their characters. In fact, both Zora Neale Hurston, in her renowned novel Their Eyes Were Watching God, and Toni Morrison, in her 1981 novel Tar Baby, exploit voice in different ways. This thesis will investigate and explore the ways in which both of these authors utilize and explore a …

    cuny Repository record for Silence as Weakness or Strength in Hurston and Morrison (opens in a new tab)

  3. (Re)covering lost lore : folklore adaptations in Zora Neale Hurston and Gloria Naylor.

    … cultures; for example both Zora Neale Hurston and Gloria Naylor, two prominent African American female authors, use folklore, their written literature. In doing so, both Hurston and Naylor recognize the value folklore has played in African American culture and they give voice to its …

    baylor Repository record for (Re)covering lost lore : folklore adaptations in Zora Neale Hurston and Gloria Naylor. (opens in a new tab)

  4. Animals-as-Trope in the Selected Fiction of Zora Neale Hurston, Alice Walker, and Toni Morrison

    … women writers such as Zora Neale Hurston, Alice Walker, and Toni Morrison utilize animals-as-trope in order to illustrate the writers' humanity and literary vision. In the texts that I have selected, I have found that animals-as-trope functions in two important ways: the first …

    unt Repository record for Animals-as-Trope in the Selected Fiction of Zora Neale Hurston, Alice Walker, and Toni Morrison (opens in a new tab)

  5. Rereading Zora Neale Hurston through the lens of "What white publishers won't print".

    During Zora Neale Hurston's life, she wrote many controversial statements on race. Scholars continually suggest that Hurston was merely pandering to the white nation or tricking her audience. By using Hurston's own explanation of "What White Publishers Won't Print," I examine the constraints and …

    baylor Repository record for Rereading Zora Neale Hurston through the lens of "What white publishers won't print". (opens in a new tab)

  6. Narratives Of Southern Contact Zones: Mobility And The Literary Imagination Of Zora Neale Hurston And Marjorie Kinnan Rawlings

    … of the two Southern women writers, Zora Neale Hurston and Marjorie Kinnan Rawlings, based on the cultural contexts of the 1930s and the 1940s. It discusses how the two writers' works are in dialogue with each other, and with the particular historical period in which the South had gone through …

    mississippi Repository record for Narratives Of Southern Contact Zones: Mobility And The Literary Imagination Of Zora Neale Hurston And Marjorie Kinnan Rawlings (opens in a new tab)

  7. """Hitting a straight lick with a crooked stick"": Humor and the subversive in three novels by Zora Neale Hurston"

    Zora Neale Hurston is a controversial figure, equally praised and criticized for her representation of African-Americans; while some critics emphasize her ebullience and celebration of Black culture, others call her fiction stereotypical and essentialist. Observing the workings of the recurrent …

    uiuc Repository record for """Hitting a straight lick with a crooked stick"": Humor and the subversive in three novels by Zora Neale Hurston" (opens in a new tab)

  8. The Ghost Of Ravishment That Lingers In The Land: The Beginnings Of Environmentalism In Seraph On The Suwanee And Go Down, Moses

    Zora Neale Hurston and William Faulkner are recognized for their environmental writing. However, few scholars have acknowledged the sophisticated environmentalism present in Hurston's Seraph on the Suwanee and Faulkner's fictional depiction of Lafayette County in Go Down, Moses. This thesis seeks …

    mississippi Repository record for The Ghost Of Ravishment That Lingers In The Land: The Beginnings Of Environmentalism In Seraph On The Suwanee And Go Down, Moses (opens in a new tab)

  9. Any Bodies' Protest Novel: Challenging the Politics of Canon Formation in the works of Nella Larsen, Zora Neale Hurston, and James Baldwin

    James Baldwin, Nella Larsen, and Zora Neale Hurston are three authors who are very often read alongside one another in classrooms, book groups, and history. This grouping is often based on a system of seemingly arbitrary but identity-based categorical structures . Facets of the author' s assigned …

    brockport Repository record for Any Bodies' Protest Novel: Challenging the Politics of Canon Formation in the works of Nella Larsen, Zora Neale Hurston, and James Baldwin (opens in a new tab)

  10. The Freedom to Choose: The Aesthetics of Choice in Short Stories by Zora Neale Hurston, Richard Wright, Amiri Baraka, and Toni Cade Bambara

    … short stories. To what ends do the works by Hurston, Wright, Bambara, and Baraka emphasize the "choices" African Americans make in the face of social barriers? Addressing this question will help to better explain how characters, within specific short stories, make specific decisions to gain …

    ku Repository record for The Freedom to Choose: The Aesthetics of Choice in Short Stories by Zora Neale Hurston, Richard Wright, Amiri Baraka, and Toni Cade Bambara (opens in a new tab)

  11. "Love is Lak de Sea": Figurative Language in Zora Neale Hurston's <em>Their Eyes Were Watching God</em>.

    … of this paper is to investigate the use of Hurston’s figurative language in the novel Their Eyes Were Watching God. Metaphors, symbolism, and personification have always been present in the African American language. Hurston uses the richness of figurative language to depict the African …

    etsu Repository record for "Love is Lak de Sea": Figurative Language in Zora Neale Hurston's <em>Their Eyes Were Watching God</em>. (opens in a new tab)

  12. "A Shade Too Unreserved": Destabilizing Sexuality and Gender Constructs of the New Negro Identity in Harlem Renaissance Literature

    … Wallace Thurman, Nella Larsen, and Zora Neale Hurston used their own fictional works to explore the New Negro construct being promoted. In examining the constructed nature of this New Negro identity, these artists strove to destabilize the social "norms" upon which the identity was based. As …

    denver Repository record for "A Shade Too Unreserved": Destabilizing Sexuality and Gender Constructs of the New Negro Identity in Harlem Renaissance Literature (opens in a new tab)

  13. Flinging the Apron and Tearing the Kerchief: Janie Crawford's Gestures in Zora Neale Hurston's Their Eyes Were Watching God

    … Eyes Were Watching God</em>, Zora Neale Hurston demonstrates protagonist Janie Crawford's development through her use of gesture. As the narrative moves throughout Janie's life, she becomes progressively able to communicate her feelings and desires through the use of her body's movements. …

    denver Repository record for Flinging the Apron and Tearing the Kerchief: Janie Crawford's Gestures in Zora Neale Hurston's Their Eyes Were Watching God (opens in a new tab)

  14. Framing Standard and Dialect in Black Women's Novels

    … excess in Contending Forces (1900). Zora Neale Hurston performs her "Characteristics of Negro Expression" as a moving image in the discursive play between main character and community in Their Eyes Were Watching God (1937). With double exposure in Louisiana (1994), Erna Brodber uses Hurston as …

    york Repository record for Framing Standard and Dialect in Black Women's Novels (opens in a new tab)

  15. """I Love Myself When I Am Laughing"": Tracing the Origins of Black Folk Comedy in Zora Neale Hurston's Plays Before ""Mule Bone"

    Mule Bone (1931), Zora Neale Hurston's collaboration with Langston Hughes, has been credited as the 'first' attempted by African Americans to create 'Negro folk comedy.' This dissertation is driven from a question to the recent scholarship's tacit consent on such historic importance imposed on this …

    uiuc Repository record for """I Love Myself When I Am Laughing"": Tracing the Origins of Black Folk Comedy in Zora Neale Hurston's Plays Before ""Mule Bone" (opens in a new tab)

  16. Book of Empire: The Political Bible of U.S. Literary Modernism

    … Willa Cather, William Faulkner, and Zora Neale Hurston, the Bible is a source of moral authority they use to challenge the imperialist, colonialist, and nativist projects of the twentieth-century U.S. In rebranding the Bible as politically radical, these writers are not denying the authority of …

    mississippi Repository record for Book of Empire: The Political Bible of U.S. Literary Modernism (opens in a new tab)

  17. Waterworks: Settler Industrialization and Literary Experimentation in Twentieth-Century North America

    … Through case studies of Mary Austin, Zora Neale Hurston, Lorine Niedecker, C. S. Giscombe, and Natalie Diaz, I argue that writers’ encounters with industrialized watersheds have led to new modes of methodological and textual experimentation that stretch the boundaries of empiricism. In so doing, …

    penn Repository record for Waterworks: Settler Industrialization and Literary Experimentation in Twentieth-Century North America (opens in a new tab)

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