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Contemporary and historical performance practice in late eighteenth-century violin repertoire : observations on articulation, bow strokes, and interpretation : an exegesis submitted to Massey University and Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Musical Arts in Violin Performance

He, Jun2014

massey

Performing with a Personal Musical Identity: An Examination of Musicians' Distinctive Personalities in Performances of Bach's Solo Violin Sonatas and Partitas

Park, SamuelRice University2024

… A significant reason for this can be traced historically to the mid-20th-century, when performances influenced by modernist ideology became prevalent in the classical music world. Under this influence, musicians search for objective measures to define proper performance practice of musical …

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Aesthetics of the Unseen: The Sacred Music of Grzegorz Gorczycki in Turbulent Times of Eighteenth-Century Kraków, Poland.

Misiewicz, Justyna2022

… and aesthetic elements, as well as the historical, political, and cultural context and the purpose for which it was written. Certainly, secular and sacred music accommodated different religious and social needs. While music at the court was written for entertainment, the purpose of …

claremont Repository record for Aesthetics of the Unseen: The Sacred Music of Grzegorz Gorczycki in Turbulent Times of Eighteenth-Century Kraków, Poland. (opens in a new tab)

Improvising Otherwise: Sound, Nature, and Coloniality in Early Modern England

Lahham, FatimaUniversity of Cambridge2022

… can be a mode of imagining otherwise: a practice that allows us to re-consider and question ways of writing, sounding, and being in the world. In this thesis I use improvisation as a lens through which we can listen to alternative stories of early modern English music history, situating …

cambridge Repository record for Improvising Otherwise: Sound, Nature, and Coloniality in Early Modern England (opens in a new tab)