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Showing 1 to 6 of 6 for “"Heinrich Schenker"”.

  1. The cultural context of the theories of Heinrich Schenker

    Whittle, BarbaraThe Open University1994

    The thesis presents Schenker's theory of musical structure as grounded in the (mainly pedagogic) music theory and practice of the eighteenth century, like the music of the period of German classicism to which it relates. It argues that Scheriker was right to see his theory as having a wider …

    the-open-u Repository record

  2. An Analysis of Nobuo Uematsu’s Linear Structures: The Score of Final Fantasy VI’s Opera

    Comeaux, Daniel2021

    … techniques of important theorists such as Heinrich Schenker and Paul Hindemith. The analysis will explain how some linear progressions play guiding roles within the music while others although heard, may not be as important. Furthermore, the most important linear structures will be shown to …

    usm Repository record

  3. How Film and TV Music Communicate

    Morrell, Brian2020

    … Building on the analysis of scholars such as Heinrich Schenker (Pankhurst, 2008), Eduard Hanslick (1854), Lawrence Kramer (2011; 2012; 2016), John Sloboda (2005) and Arnie Cox (2017) and film music scholars such as George Burt (1995), Claudia Gorbman (1987) Roy Prendergast (1992) and Frank …

    southwales Repository record

  4. Maria Schneider's "Hang Gliding": Dual Analyses for a Hybrid Musical Style

    McKinney, Elizabeth2018

    … pitch class set theory (for the melody) and Schenkerian theory (for the harmony). This analysis demonstrates the growth and decay of the arch form of the piece.

    duquesne Repository record

  5. Heinrich Schenker’s Early Approach to Form, 1895–1921: Implications for His Late Work and Its Reception

    Hooper, Jason AThe Graduate School and University Center of The City University of New York2019

    <p>This dissertation constructs Heinrich Schenker’s early approach to form and traces its development as his organic theory of transformational voice leading emerged in the early 1920s. Schenker’s late approach to form is then briefly reconsidered from this newfound perspective.</p> <p>Chapter 1 …

    cuny-grad Repository record

  6. Voice Leading in Fugue

    Shapira, YuvalThe Graduate School and University Center of The City University of New York2023

    … of J. S. Bach’s Well-Tempered Clavier from a Schenkerian perspective. In Bach’s fugues, thematic material usually permeates all the parts, making the surface diminutions unusually complex. Given the predominance of the subject, there is a tendency in the Schenkerian tradition to base the …

    cuny-grad Repository record