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Showing 1 to 9 of 9 for “"Gustav Mahler"”.

  1. Gustav Mahler and psychasthenia : a musical and psychological investigation of the Kinder-Totenlieder

    An in-depth study of Gustav Mahler's preoccupation with death was the foundational purpose for this dissertation. The song cycle Kinder-Totenlieder was the main composition examined, however, other works were mentioned to provide further proof of his obsession.The content of Chapter One presents …

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  2. Mahlerian Tonality: Challenges to Classical Foreground Structures in the Music of Gustav Mahler

    … at local levels of structure in the music of Gustav Mahler. The results are grouped into three domains: cadences, common-tone techniques, and the Mahlerian imaginary continuo. An investigation of Mahler’s cadences reveals an underlying simplicity in the diverse tonal progressions that Mahler

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  3. A Model of the Tonal-Chromatic System and Its Application to Selected Works of Gustav Mahler

    … century, such as Schubert, Schumann, Brahms, Mahler, Wagner, and Strauss. The question arose: did the diatonic system remain at the heart of tonality during the late nineteenth century, or—as some propose—did a new chromatic-based tonality emerge? The acceptance of this new chromatic-based …

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  4. Gustav Mahler - Conductor as Interpreter: A Comprehensive Study of the Bach-Mahler <em>Suite for Orchestra</em>

    <p>This document is an examination of Mahler's contributions to the discipline of conducting through the Retuschen he made of other composers' works. Chapter 1 is an overview of Mahler's ideas on what interpretive responsibilities a conductor faces when he/she conducts other composers' music. It …

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  5. Gustav Mahler and His Disciples: An Exploration of Tempo In the Bruno Walter and Otto Klemperer Recordings of the Ninth Symphony

    <p>Many modern conductors of Mahler's works face challenges when attempting to understand how Mahler himself performed them. There is much debate over tempo and the 'correct' interpretation of Mahler's works. In dealing with the interpretation of Mahler' works, one must certainly lend the most …

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  6. Robert Schumann's Symphony in D Minor, Op. 120: A Critical Study of Interpretation in the Nineteenth-Century German Symphony

    … editions prepared by Woldemar Bargiel and Gustav Mahler reflect ideals of the late nineteenth century that differ markedly from those Schumann advanced in his 1851 autograph and in the Symphony's first publication in 1853. An examination of the manuscript sources and the editions authorized …

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  7. Gustav Mahler's Kindertotenlieder: Subject and Textual Choices and Alterations of the Friedrich Rückert Poems, A Lecture Recital Together with Three Recitals of Selected Works of F. Schubert, J. Offenbach, G. Finzi, and F. Mendelssohn

    The bulk of scholarly research and discussion of Mahler's Kindertotenlieder deals with musical concerns and analyses. This study explores the significance of Mahler's selection and use of the poetry of Friedrich Rückert and, in particular, the personal significance of the textual treatment to …

    unt Repository record for Gustav Mahler's Kindertotenlieder: Subject and Textual Choices and Alterations of the Friedrich Rückert Poems, A Lecture Recital Together with Three Recitals of Selected Works of F. Schubert, J. Offenbach, G. Finzi, and F. Mendelssohn (opens in a new tab)

  8. "Schattenhaft" in Mahler's Seventh and Ninth Symphonies: An Examination of a Passage in Adorno's Mahler: A Musical Physiognomy

    … marking "schattenhaft" appears twice in Gustav Mahler's symphonies: at the beginning of the scherzo in the Seventh and within the first movement of the Ninth. Theodor Adorno's observations regarding Mahler's use of this marking, which connect it to Schopenhauer and Romantic aesthetics, …

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