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Showing 1 to 2 of 2 for “"Gus Van Sant"”.
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Realism of the senses: a tendency in contemporary world cinema
… Reygadas (Mexico), Tsai Ming-liang (Taiwan) and Gus Van Sant (US). These cinemas are bound together through the hyperbolic application of the long take, which promotes a sensory viewing experience anchored in duration and the pure phenomenological presence of animate and inanimate matter. The …
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Totality of experience: sound, music and mythology in Gus Van Sant’s “Death Quartet”
Reflecting on Gus Van Sant’s films Gerry (2003) Elephant (2004) and Last Days (2005), the director’s long-term sound-designer Leslie Shatz observed that “You have to get into the totality of the experience and not just the dialogue”. Shatz’s comment expresses something fundamental about the …