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Showing 1 to 5 of 5 for “"Grundgestalt"”.

  1. The Wanderer's Way: the Grundgestalt and Developing Variation

    The grundgestalt, a term of Schoenberg, referring to the initial material of a work that is organically developed through the entire work, is often employed in analysis and discussion of Beethoven and earlier Classicists, and is largely employed in studying the sonata, often described as the “most …

    suny-potsdam Repository record for The Wanderer's Way: the Grundgestalt and Developing Variation (opens in a new tab)

  2. Concerto for violoncello and orchestra. (Original composition);

    … most expressive details, all grow out of the Grundgestalt of the work. Grundgestalt is Arnold Schoenberg's most fundamental compositional concept. It represents the basic shape on the deepest and most abstract level of an individual artwork, and according to Schoenberg himself, constitutes the …

    rice Repository record for Concerto for violoncello and orchestra. (Original composition); (opens in a new tab)

  3. Schoenberg's <i>"Phantasy"</i> Form

    … [F, G, A, Bb, B, C#] sc 6-21 (023468) as the <em>Grundgestalt</em> and combines it with its combinatorially related inversion to construct the prime row, P<sub>10</sub>, with a micro “abba” design. Schoenberg composes four-part patterns on every level culminating in an overall …

    cuny-grad Repository record for Schoenberg's <i>"Phantasy"</i> Form (opens in a new tab)

  4. Op. 34: Evidence of Arnold Schoenberg's Musikalische Gedanke

    … aesthetics including Gedanke, comprehensibility, Grundgestalt, and developing variation in light of his compositional practices in Begleitungsmusik zu einer Lichtspielszene, Op. 34. Although Schoenberg denies the existence of a tonal problem and hierarchy among pitches in twelve-tone compositions, …

    unt Repository record for Op. 34: Evidence of Arnold Schoenberg's Musikalische Gedanke (opens in a new tab)