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Showing 1 to 4 of 4 for “"Grateful Dead"”.

  1. Theater of jambands: Performance of resistance

    … district of San Francisco with the Grateful Dead, who dominated this musical genre until the mid-nineties. Jamband expert Dean Budnick coined the term shortly thereafter to describe bands that perform long, improvised jams during their live shows. As these improvised shows have …

    oregon Repository record for Theater of jambands: Performance of resistance (opens in a new tab)

  2. The Music Never Stopped: Shifting Notions of Authenticity Amongst Deadheads

    … of authenticity in membership. By analyzing the Deadheads, the group of loyal fans surrounding the band the Grateful Dead, as a case study I will explore several factors contributing to a crisis of authenticity in membership within the subculture: the internet, the death of Jerry Garcia, and …

    vt Repository record for The Music Never Stopped: Shifting Notions of Authenticity Amongst Deadheads (opens in a new tab)

  3. Psychedelic music in San Francisco : style, context, and evolution

    … participated in, including Jerry Garcia of the Grateful Dead, Janis Joplin of Big Brother and the Holding Company, and members of the Jefferson Airplane. The catalyst for the folk revival musicians to adopt the rock band format was the British Invasion, which began in 1964 with the arrival in …

    concordia Repository record for Psychedelic music in San Francisco : style, context, and evolution (opens in a new tab)

  4. Understanding 'It': Affective Authenticity, Space, and the Phish Scene

    … and upper-middle class cultural memory of the Grateful Dead scene. I situate this process amidst a cultural backdrop of 1980s and 1990s identity politics and in particular, multiculturalism and suggest that Phish scene identity be analyzed as a middle class performance of resistance that …

    ku Repository record for Understanding 'It': Affective Authenticity, Space, and the Phish Scene (opens in a new tab)