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Showing 1 to 9 of 9 for “"Gounod"”.
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American Choral Music in Late 19th Century New Haven: The Gounod and New Haven Oratorio Societies
… for just over 30 years, 1888 to 1919: The Gounod and New Haven Oratorio Societies of New Haven, Connecticut. These societies are important because, especially in the case of the New Haven Society, they were closely related to Yale University and the work of Horatio Parker. One must assume …
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A Gendered Faust : the portrayal of gender in the opera Faust (1859) by Gounod (1818-1893)
… symbolism evident in the opera Faust (1859) by Gounod. The objective is to determine the gendered authenticity, originality and contributing nature of the work, acknowledging the Catholic nineteenth-century French context in which it was written. The study aims to establish the nature of the …
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Master's thesis recital (conducting)
Petite symphonie / Charles Gounod -- Little threepenny music for wind ensemble / Kurt Weill
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A musical discussion and analysis of romance sans paroles by three French composers : Charles-Francois Gounod, Camille Saint-Saens and Gabriel Faure
… by three French composers, Charles-François Gounod, Camille Saint-Saëns, and Gabriel Fauré. The Romance Sans Parole genre seems to be quite unknown in the piano field; as a result, there are few secondary sources available. By immersing myself in these scores, I sought to discover their …
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Reconstructing Convention: Ensemble Forms in the Operas of Jules Massenet
… seen in French opera in the works of Meyerbeer, Gounod, and Massenet; however, only Meyerbeer and Gounod have received significant critical attention. This is in part due to Massenet's reception as a "composer for the people," a title ill fitting and ripe for reconsideration. This dissertation …
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Beyond Prima Donna: Pauline Viardot’s Collaboration on Meyerbeer’s Le Prophète, Gounod’s Sapho, and Berlioz’s Arrangement of Orphée
… de Musset, George Sand, Charles Dickens, Charles Gounod, Frédéric Chopin, and Franz Liszt. Viardot’s musical talents were respected and utilized in the premieres of Giacomo Meyerbeer’s Le prophète (1849), Charles Gounod’s Sapho (1851), and Hector Berlioz’s revision of Gluck’s Orphée (1859). …
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A COLLABORATIVE PIANIST'S SURVEY OF MEZZO-SOPRANO TROUSER ROLES IN OPERA
… range from Handel and Mozart to Meyerbeer, Gounod, Humperdinck, Massenet, and concluding with Strauss. The recordings were made in Santa Fe, NM, during July and August 2024, and in Salt Lake City, UT, in January 2025. Featured performers include mezzo-sopranos Ashlyn Brown, Kaylee Nichols, …
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Jules Massenet's Musical Prosody Focusing on His Eight Song Cycles And A Collection, Expressions Lyriques: A Lecture Recital, Together with Recitals of Selected Works of W. A. Mozart, F. Schubert, C. Debussy, R. Strauss, D. Argento, V. Bellini, J. Marx, W. Walton, C. Gounod, A. Scarlatti, G. Fauré, J. Rodrigo, H. Wolf, and Others
Jules Massenet's mélodies feature a distinct vocal treatment regarding musical prosody through his eight song cycles, including Poëme d'Avril, Poëme Pastoral, Poëme du Souvenir, Poëme d'Amour, Poëme d'Hiver, Poëme d'un Soir, and Quelques Chansons Mauves, and a collection, Expressions Lyriques. …