Global ETD Search

Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.

Results

Showing 1 to 10 of 10 for “"Giuseppe Verdi"”.

  1. Similarities in the Use of Dramatic Recitative Style in the Music of Claudio Monteverdi and Giuseppe Verdi, with Some Performance-Practice Issues

    … of recitative style in the music of Claudio Monteverdi and Giuseppe Verdi. To achieve this objective, their use of recitative style was examined through comparative analysis of four scenes from their operas: “Arianna's Lament” from L'Arianna and “Disprezzata regina” from L'incoronazione di Poppea …

    unt Repository record for Similarities in the Use of Dramatic Recitative Style in the Music of Claudio Monteverdi and Giuseppe Verdi, with Some Performance-Practice Issues (opens in a new tab)

  2. The offertories of Peter von Winter: Critical editions and studies of selected works

    … Collection at the Biblioteca Conservatorio Di Giuseppe Verdi in Milan.

    uiuc Repository record for The offertories of Peter von Winter: Critical editions and studies of selected works (opens in a new tab)

  3. Three Transcriptios for Solo Organ: Sonata da chiesa Op. 3, No. 3, by Arcangelo Corelli, Overture to La forza del destino by Giuseppe Verdi, Festive Overture Op. 96, by Dmitry Shostakovich

    … by Corelli, Overture to La forza del destino by Verdi, and Festive Overture Op. 96 by Shostakovich, were selected according to technical accessibility as well as artistic possibilities for the new performing medium. Each chapter, devoted to one transcription, is divided into three sections: (1) …

    sbts Repository record for Three Transcriptios for Solo Organ: Sonata da chiesa Op. 3, No. 3, by Arcangelo Corelli, Overture to La forza del destino by Giuseppe Verdi, Festive Overture Op. 96, by Dmitry Shostakovich (opens in a new tab)

  4. La luce dell'ideale

    … alla Scala di Milano, "La forza del destino" di Giuseppe Verdi realizzata in occasione della stagione lirica del bicentenario del teatro (1978) su scene e costumi di Renato Guttuso, e ancora due tributi al melodramma verista, "Adriana Lecouvreur" (1989) di Francesco Cilea e "Fedora" (1993) di …

    catania Repository record for La luce dell'ideale (opens in a new tab)

  5. Making Malice Musical: Verdi’s Compositional Journey Through the Eyes of Six Villains

    <p>Giuseppe Verdi is a pillar of the operatic world and had a profound impact on the evolution of the art form. From a rudimentary beginning, he developed over time from a popular creator of operas in the <em>solita forma </em>style<em> </em>of 19<sup>th</sup> century Italy into a master craftsman …

    sfasu Repository record for Making Malice Musical: Verdi’s Compositional Journey Through the Eyes of Six Villains (opens in a new tab)

  6. PHILIPPE ROGIER (c.1561-1596): MISSA INCLITA STIRPS JESSE. A CRITICAL AND PERFORMING EDITION WITH PERFORMANCE COMMENTARY

    … in the Biblioteca del Conservatorio de Musica “Giuseppe Verdi” in Milan. The Missae Sex was originally dedicated to King Philip II of Spain (1527-1598, reg. 1556-1598), whom Rogier had served as chorister and then maestro de capilla. Both Rogier and King Philip died before the volume was ready …

    maryland Repository record for PHILIPPE ROGIER (c.1561-1596): MISSA INCLITA STIRPS JESSE. A CRITICAL AND PERFORMING EDITION WITH PERFORMANCE COMMENTARY (opens in a new tab)

  7. Der Narr in der Oper : eine kulturwissenschaftliche Annäherung.

    … in diesem Kontext bestenfalls "Rigoletto" (Giuseppe Verdi, 1851) auf - allerdings verbirgt sich eine Vielzahl weiterer kaum entdeckter Hofnarrenidentitäten in der Oper. Die Hofnarrenidee selbst hat zwar seit ihrer Entstehung um 1500 auf vielfältige Multiplikations- und Distributionswege …

    bayreuth Repository record for Der Narr in der Oper : eine kulturwissenschaftliche Annäherung. (opens in a new tab)

  8. Formal convention in Verdi's Falstaff

    Falstaff (premiered in 1893) draws more explicitly on primo ottocento formal conventions for duets, arias, and central finales than scholars have previously argued. A description of those conventions (generally referred to as the solita forma) is followed by the analytical application of those …

    lsu-thes Repository record for Formal convention in Verdi's Falstaff (opens in a new tab)