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Showing 1 to 7 of 7 for “"Giorgio Vasari"”.

  1. Il Pittore Della 'Rinascita': Ritratto Basato Sulle 'Vite' Di Giorgio Vasari. (Italian Text)

    Made available in DSpace on 2014-12-09T20:08:29Z (GMT). No. of bitstreams: 1 6808146.pdf: 9907731 bytes, checksum: 878d87409cb9cbec654f69980c1e2952 (MD5) Previous issue date: 1967

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  2. A Model for Art History Within Discipline -Based Art Education

    … Case studies of five selected historians, Giorgio Vasari, Alois Riegl, Erwin Panofsky, Michael Baxandall and Svetlana Alpers, constitute illustrative data to vivify the model for educational applications of art historical practice. Disciplined education is interpreted as an artworld …

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  3. An Alternate Antiquity: The Etruscans in Renaissance Florence and Rome

    … Leonardo Bruni, Leon Battista Alberti, and Giorgio Vasari, celebrated Etruscan wealth, warfare, and art. Accounts of the Etruscans were based not on archaeological or humanistic inquiry, however, but were a projection of current political and cultural situations onto the past. Under the …

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  4. Pietro Perugino (1450-1523) and the Practice of Reuse: Redefining Imitazione in the Italian Renaissance

    … with a formulaic quality, as was first noted by Giorgio Vasari in his Lives of the Most Eminent Painters, Sculptors and Architects (1568). Significantly, in the sixteenth century, theorists revised the concept of imitation to incorporate not only the notion of replication, but emulation as well. …

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  5. Vasari, the Medici, and the Grotesques of the Palazzo Vecchio

    … affairs. Particularly revealing are the texts of Giorgio Vasari, who both championed the status of the artist and tirelessly promoted the interests of his patrons, and the grotesques executed by Marco da Faenza under Vasari’s supervision. These works suggest that certain themes and guidelines were …

    queens Repository record for Vasari, the Medici, and the Grotesques of the Palazzo Vecchio (opens in a new tab)

  6. Vincenzo Danti and the Medici court : constructing professional identity in late Renaissance Florence

    Vincenzo Danti (1530-1576), Perugian by birth and training, relocated to Florence in 1557 to work for the Medici court. While there, Danti completed visual and textual works oriented to the interests of Duke Cosimo I de’ Medici (1519-1574) and his son, Prince Francesco (1541-1587). Danti also …

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  7. The Classical in the Contemporary: Contemporary Art in Britain and its Relationships with Greco-Roman Antiquity

    My thesis is titled ‘The Classical in the Contemporary: Contemporary Art in Britain and its Relationships with Greco-Roman Antiquity.’ From the viewpoint of classical reception studies, I am asking what contemporary British art (by, for example, Sarah Lucas, Damien Hirst, and Mark Wallinger) has to …

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