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Showing 1 to 13 of 13 for “"George Sand"”.

  1. Les Paysannes dans Les Romans Champetres de George Sand.

    Quand George Sand écrivit ses "romans champêtres" elle avait l'intention de faire découvrir la province aux citadins. Elle voulait également parler des femmes en leur donnant une place de choix dans son oeuvre littéraire, place qu'elles n'avaient pas dans la société du 19e siècle. Il s'agissait …

    maynooth Repository record for Les Paysannes dans Les Romans Champetres de George Sand. (opens in a new tab)

  2. Les modalités de l'air dans Lélia (1833) de George Sand

    … modalités de l’air dans le roman Lélia (1833) de George Sand. L’étude des deux personnages principaux de ce roman, Lélia et Sténio, permet d’aborder le thème central à l’étude, en repérant les passages importants du roman qui mettent en valeur les effets de l’air sur ces deux personnages. Le cadre …

    moncton Repository record for Les modalités de l'air dans Lélia (1833) de George Sand (opens in a new tab)

  3. The works of George Sand as an interpretation of her life and personality

    … is some difference of opinion today concerning George Sand's position in French literature, it is a definite fact that she was an important literary figure during her lifetime. By important, I do not necessarily mean that she was always popular, for she received a great deal of unfavorable …

    u-pacific Repository record for The works of George Sand as an interpretation of her life and personality (opens in a new tab)

  4. George Sand and Rewriting: The Poetics of Intertextuality in George Sand's "Jacques Cycle"

    Until now, for George Sand scholars, two main images of the Sand corpus have been dominant, “un grand fleuve d’Amérique” and “une grande oeuvre multiforme.” While both images evoke the strength and diversity of styles, approaches and genres in Sand’s literary production, they also suggest a certain …

    columbia-diss Repository record for George Sand and Rewriting: The Poetics of Intertextuality in George Sand's "Jacques Cycle" (opens in a new tab)

  5. Living Out Loud: The Mythopoetics of Bodily Representation in the Works of George Sand

    … the representation of the body in the works of George Sand. While the body as a subject of analysis in literary studies is well established, Sand’s novels are generally reduced to a sentimental or idealist mode of writing whose focus is on the inner, emotional life of an individual. Moreover, …

    qu-belfast Repository record for Living Out Loud: The Mythopoetics of Bodily Representation in the Works of George Sand (opens in a new tab)

  6. The Rural Mirror: George Eliot, Jeremias Gotthelf and George Sand as Novelists of Country Life

    Made available in DSpace on 2014-12-14T13:49:07Z (GMT). No. of bitstreams: 1 7714967.pdf: 16494834 bytes, checksum: c909cfb6c6684b3e220874076651faec (MD5) Previous issue date: 1977

    uiuc Repository record for The Rural Mirror: George Eliot, Jeremias Gotthelf and George Sand as Novelists of Country Life (opens in a new tab)

  7. George Sand Was Not a Man, or Was He? An Egalitarian's Stand Against Gender Division and Its Impact on the Role of Women in Nineteenth Century France

    … life of nineteenth century French novelist, George Sand. The paper examines the political climate surrounding Sand, her ancestry, upbringing and position on the rights of women in the context of her egalitarian ideals. Her values were influenced by nineteenth century French politics, which …

    dominican Repository record for George Sand Was Not a Man, or Was He? An Egalitarian's Stand Against Gender Division and Its Impact on the Role of Women in Nineteenth Century France (opens in a new tab)

  8. Beyond Prima Donna: Pauline Viardot’s Collaboration on Meyerbeer’s Le Prophète, Gounod’s Sapho, and Berlioz’s Arrangement of Orphée

    … important guests, including Alfred de Musset, George Sand, Charles Dickens, Charles Gounod, Frédéric Chopin, and Franz Liszt. Viardot’s musical talents were respected and utilized in the premieres of Giacomo Meyerbeer’s Le prophète (1849), Charles Gounod’s Sapho (1851), and Hector Berlioz’s …

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  9. Intertextualité dans Béatrix de Balzac: autour de Félicité des Touches et Béatrix de Rochefide

    … écrivaine. Félicité a d'ailleurs pour référent George Sand et démontre plusieurs caractéristiques psychologiques de Lélia, héroïne de Sand qui apparaît quelques années avant la publication de Béatrix. Ces influences, ces emprunts à d'autres, ces référents de toutes sortes s'entrecroisent pour …

    moncton Repository record for Intertextualité dans Béatrix de Balzac: autour de Félicité des Touches et Béatrix de Rochefide (opens in a new tab)

  10. Conspiracy in Balzac and Sand's July Monarchy Fiction

    … to the work of Honoré de Balzac (1799–1850) and George Sand (1804–1876). In providing the first sustained scholarly exploration of conspiracy and cultural production in nineteenth–century France, it situates the novel within wider discourses on European political history in the years leading up …

    cambridge Repository record for Conspiracy in Balzac and Sand's July Monarchy Fiction (opens in a new tab)

  11. The Convent: A Place of Refuge in Les Misérables and Histoire de ma vie

    … as a place for rebirth. Likewise, in analyzing George Sand's autobiography Histoire de ma vie, I explore the representation of the convent as a haven for reviving creativity. Thus, by close reading and critical examination of these literary representations, I contend that the nineteenth-century …

    vt Repository record for The Convent: A Place of Refuge in Les Misérables and Histoire de ma vie (opens in a new tab)