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Showing 1 to 20 of 20 for “"G minor"”.
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Symphony In G Minor
37 leaves
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Aspects of Mozart's music in G minor : towards the identification of common structural and compositional features
… a tradition of writing has evolved. The key of G minor has received most attention in this respect. However interesting, subjective interpretation ultimately reveals more about the speculator than the object of speculation; and although usually ventured sincerely it is, in terms of the music …
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Franz Liszt In Romania And The Rhapsody in G-minor, S. 242, No. 20, "Romanian Rhapsody"
On November 2, 1846, Franz Liszt embarked on a tour throughout the territories that now constitute present-day Romania. Despite its historical significance, his tour through these lands remains relatively obscure in the international music community. Most studies have instead focused on Liszt's …
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A Survey of the Piano Sonatas of Wilhelm Stenhammar (1871-1927) with Performance Suggestions for the Piano Sonata in G Minor
… sonatas and performance suggestions for the G minor piano sonata of Wilhelm Stenhammar. This paper explores aspects of piano performance, such as the basic technical approach, interpretation suggestions, as well as examinations of pedaling, possible fingering, dynamics, and articulation. …
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Doctoral thesis recital (trombone)
… for trombone and piano] / Weber -- Adagio in G minor / Giazotto -- Song of travel / Williams.
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Doctoral Thesis Recital (viola)
Sonata in F minor for viola and piano, op.120, no.1 / Johannes Brahms -- La campanella / Paganini-Primrose --Sonata in G minor for cello and piano, op.19 / Sergey Rachmaninoff.
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Two Bach Preludes and Fugues Transcribed for Wind-Band
… for the modern wind-band Prelude and Fugue in G Minor and Prelude and Fugue in D Minor. Both compositions were originally written for organ by Johann Sebastian Bach.</p>
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An Analysis of Arnold Schoenberg's Orchestral Transcription of Johannes Brahms's Piano Quartet NO.1, OPUS 25
… of Johannes Brahms's Piano Quartet No. 1 in G minor, opus 25. This dissertation determines discrepancies between Schoenberg's orchestral transcription and Brahms's original piano quartet. For study and comparison purposes, musical excerpts of these are provided with descriptions.</p>
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Doctoral thesis recital (piano (chamber))
… Foley, flute) -- Sonata for cello and piano in G minor, op. 19 / Sergey Rachmaninof (with Seungsei Kim, cello).
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Doctoral thesis recital (organ)
… / Jan Pieterszoon Sweelinck -- Concerto in A minor / Antonio Vivaldi -- Prelude and fugue in G minor / Johannes Brahms -- Toccata in d, BuxWV 155 / Dietrich Buxtehude -- Trio on "Allein Gott in der Hoh' sei Ehr" BWV 676 / J. S. Bach -- Symphonie no.2 / Louis Vierne.
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A Survey of the Unaccompanied Violin Repertoire, Centering on Works by J. S. Bach and Eugene Ysaÿe
… College Park, included Passacaglia in G Minor (1676) by Heinrich Biber; Partita No. 3 in E Major (1720) by J.S. Bach; and Sonata no. 2, op. 27 (1923) by Eugene Ysaÿe. The second recital, performed on May 11, 2003 in the Main Chapel of the Memorial Chapel at the University of Maryland, …
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Léonce de Saint-Martin: Organist and composer
… Stations of the Cross." 2. Organ Concerto in G minor - Francis Poulenc 3. Requiem – Maurice Duruflé 4. Solo Recital - St. Peter’s Cathedral Hamilton. 5. Final recital - Holy Trinity Cathedral Auckland. B) Thesis The thesis examines the development of the French organ in relation to the organ of …
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Pairings: Quintets and Duos from the Collaborative Piano Repertoire
… 44 along with his Violin and Piano Sonata in A Minor, Op. 105. The next pairing will be Johannes Brahms’ Piano Quintet in F Minor, Op. 34 and his Piano and Violin Sonata in D Minor, Op. 108. Dmitri Shostakovich’s Piano Quintet in G Minor, Op. 57 and his Cello and Piano Sonata in D Minor, Op. 40 …
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Bassoon in the Baroque Era
… Vivaldi's composition for bassoon, Concerto in G minor, Op. No. 23.</p> <p>In the 1901 edition of his book, The Holy Cross and Other Tales, Eugene Field states:</p> <p>If you have never beheld or heard a bassoon you are to understand that it is an instrument of wood, of considerable more length …
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Voice Leading in Fugue
… of two complete fugues, the F major and G minor from WTC 1, which further demonstrate the ideas discussed in earlier chapters.</p>
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František Jiránek and the Italian connection: A study of the influence of Antonio Vivaldi on the bassoon concertos of František Jiránek
… Jiranek 18 in F major and KapM Jiranek 21 in G minor), and two by Vivaldi (RV 496, and RV 501). Chapter 1 sites the study in the well-traversed area of Vivaldi scholarship, surveys the literature and introduces the purpose and processes of the thesis. Chapter 2 provides a detailed overview of …
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"The allure of Beethoven's ""Terzen-Ketten"": third-chains in studies by Nottebohm and music by Brahms"
… in C major, op. 1, and the Piano Concerto in D minor, op. 15, already show the use of such chains of thirds as a prominent feature. However, Brahms’s treatment of such “Terzen-Ketten” in his later works shows an especially impressive inventiveness and importance. The ways the chains of thirds …
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Optimality of human acoustic perception of natural sounds, and violin acoustics elucidated with a non-corporeal musical instrument made by fully air-coupled finite-element-modeling of the Titian Stradivarius
… the first two measures of the Sonata No. 1 in G-minor, BWV 1001: II. Fuga. Allegro by Bach, using a constrained optimization approach. The musical piece played is found to be indistinguishable from Itzhak Perlman’s concert performance used to train the instrument. The non-corporeal violin allows …
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Graduate Recital, Piano
… Rachmaninoff was only 23 when he composed his B Minor Moment musical, Op. 16, No. 3 in 1896, but even so early in his life, he had established his compositional voice. He composed his G Minor Etude-tableau, Op. 33, No. 7 in 1911, and premiered the set later that year. The Moment musical possesses …
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Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5
This paper examines the generic aspect of Beethoven's Opus 5 Cello Sonatas (1796) from structuralist and post-structuralist perspectives, and explores the works from these viewpoints in order to gain insights into how the sonatas function as autonomous musical texts rather than historiographic …