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Showing 1 to 18 of 18 for “"Fugues"”.
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Two Bach Preludes and Fugues Transcribed for Wind-Band
<p>The problem was to transcribe for the modern wind-band Prelude and Fugue in G Minor and Prelude and Fugue in D Minor. Both compositions were originally written for organ by Johann Sebastian Bach.</p>
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STUDY AND PERFORMANCE GUIDELINES TO RODION SHCHEDRIN’S 24 PRELUDES AND FUGUES
… features of Rodion Shchedrin’s 24 Preludes and Fugues, and present performance suggestions to the Preludes of Volume I. This project will be divided into three chapters. Chapter 1 will introduce Shchedrin’s musical background and the development of his musical style. Chapter 2 will discuss the …
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Scholasticism and Formal Structure in Camille Saint-Saëns's Fugues for Keyboard
… the formal and tonal structures of Saint-Saëns’s fugues determined by the organizational conventions associated with the fugue d’école? While the scholastic fugue has been described as an artificial construct, this study argues that this tripartite model, with its variants and subtypes, can be …
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Beethoven's instrumental fugal style : an investigation of tonal and thematic characteristics in the late-period fugues.
The present thesis examines the instrumental fugues written by Beethoven during the last twelve years of his life (1815-27). It does not deal specifically with the fugati nor with the incidental fugues though these may on occasion be mentioned. The fugues to be discussed are therefore as follows: …
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The influence of J.S. Bach's contrapuntal style in the 'Well-tempered clavier' on selected piano fugues by Romantic composers
… as evinced in the Well-Tempered Clavier, and fugues for the piano by selected Romantic composers. The research involves a preliminary investigation into the decline of Bach's music in the Classical era and the resurgence thereof in the Romantic era.
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Thematic Analysis and Considerations on J.S. Bach's Fugues from Das Wohltemperierte Klavier I & II: A Synthesis of Rhetoric from the 17th through the 21st Centuries
… this paper, thematic analysis of Bach's fugues are done through the analysis and identification of the heads and tails, as proposed by Harrison (2008); the identification of the figurae as proposed by authors: Printz (1673), Praetorius (1619), Beyer (1703), Walther (1703), and Kürzinger …
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Voice-Leading Patterns in the Fugal Expositions of J. S. Bach's "Well-Tempered Clavier"
… of a selected body of imitative music: the fugues of J. S. Bach's Well-Tempered Clavier.</p> <p>A consistent and close interrelationship exists between voice leading and imitation in the fugues of the WTC–a relationship in which the type of imitative material adopted for a subject, the …
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Voice Leading in Fugue
… dissertation examines voice leading in the fugues of J. S. Bach’s Well-Tempered Clavier from a Schenkerian perspective. In Bach’s fugues, thematic material usually permeates all the parts, making the surface diminutions unusually complex. Given the predominance of the subject, there is a …
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An introduction to the piano music of Manuel M. Ponce
… from salonesque dances to the most learned of fugues. Works in which he combined his affinity for Musical Romanticism with French impressionism, Neoclassic models and Mexican folk songs while still projecting his own compositional voice. Today however, Ponce’s reputation rests solely on his …
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Structuring lute tablature and MIDI data: Machine learning models for voice separation in symbolic music representations
… containing the 45 three-voice and four-voice fugues from Johann Sebastian Bach’s _Das wohltemperirte Clavier_ (BWV 846-893) in MIDI format. The datasets are made available publicly, as is the software used to implement the models and the framework for training and evaluating them. The models …
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La famille et la fugue : une approche systémique et cognitive des dysfonctionnements interactionnels entre les parents et l’enfant
… la thérapie des schémas dans la prévention des fugues ou des récidives chez les enfants.
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Heinrich Schenker’s Early Approach to Form, 1895–1921: Implications for His Late Work and Its Reception
… continuity of counterpoint (as in J. S. Bach’s fugues) and the discontinuity of musical form (as in Beethoven’s sonatas). The <em>Formenlehre</em> expressed in <em>Der freie Satz</em> (1935) is viewed as an attempt to unify these two “musical cultures” through a single cause (Halm 1913): the …
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Emma Lou Diemer : solo and chamber works for piano through 1986
… in all registers, imitative textures, structured fugues, and a Bartokian control of harmony by intervals, particularly the fourth and fifth.Chapter IV. With the solo piano works, she melded the neoclassic structured language with her earlier romantic style. Ideas once again flowed directly from …
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A master's recital in piano
8 audio files + 1 PDF file
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A master's recital in piano
8 audio files + 1 PDF file