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Showing 1 to 2 of 2 for “"French Violin School"”.

  1. "Plein de feu, plein d'audace, plein de change" : examining the role of the Méthode de violon in the establishment of the French Violin School

    In 1782, Italian violinist Giovanni Battista Viotti performed in the Concerts spirituels of Paris, causing a sensation with his new style of playing, deemed “plein de feu, plein d’audace,” “full of fire, full of audacity.” This paper discusses Viotti’s style in the context of his use of the Tourte …

    lethbridge Repository record for "Plein de feu, plein d'audace, plein de change" : examining the role of the Méthode de violon in the establishment of the French Violin School (opens in a new tab)

  2. Bow Articulations in the Late Galant (1775–1812): An Analysis of Bow Strokes in Selected Violin Sonatas of Mozart and Beethoven

    <p>This study examines the evolving use of the violin bow during the late<em> galant</em> and Classical era (1776-1812) by means of several violin sonatas by Wolfgang Amadeus Mozart and Ludwig van Beethoven (K. 305, K. 454. Op. 12, No. 1, Op. 96). An analysis of bow articulations supplemented with …

    cuny-grad Repository record for Bow Articulations in the Late Galant (1775–1812): An Analysis of Bow Strokes in Selected Violin Sonatas of Mozart and Beethoven (opens in a new tab)