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Showing 1 to 5 of 5 for “"French Thought"”.

  1. THEATRES OF THE SUBJECT: THEATRICALITY AND DIALECTIC IN CONTEMPORARY FRENCH THOUGHT

    … capitalism. The project traces a genealogy of French dramatists and theatre theorists who share in common an unprecedented deployment of the stage as a model for dialectical thought, which they also conceive of as integral to the question of human subjectivity. The dissertation demonstrates how …

    cornell Repository record for THEATRES OF THE SUBJECT: THEATRICALITY AND DIALECTIC IN CONTEMPORARY FRENCH THOUGHT (opens in a new tab)

  2. Mill and French Thought: Being a Study of the Influence of French Thoughton the Development of John Stuart Mill's Political and Social Philosophy

    Made available in DSpace on 2014-12-03T20:51:53Z (GMT). No. of bitstreams: 1 0010526.pdf: 24891346 bytes, checksum: d08e7e0a574147c60c02db26aa531bfe (MD5) Previous issue date: 1954

    uiuc Repository record for Mill and French Thought: Being a Study of the Influence of French Thoughton the Development of John Stuart Mill's Political and Social Philosophy (opens in a new tab)

  3. Thinking the Financial Subject with Contemporary French Thought: Ontology, Time, and the Critique of Capitalism in the Work of Catherine Malabou, Bernard Stiegler, and Frédéric Lordon

    This thesis explores how contemporary French thought can make a novel theoretical contribution to financialisation studies, and more specifically, to the field’s interest in the relation between finance and the subject. Mobilising Catherine Malabou’s notion of the *schème moteur*, I argue that …

    cambridge Repository record for Thinking the Financial Subject with Contemporary French Thought: Ontology, Time, and the Critique of Capitalism in the Work of Catherine Malabou, Bernard Stiegler, and Frédéric Lordon (opens in a new tab)

  4. The artist's performative practice within the anti-ocularcentric discourse

    … tradition developed by twentieth century French thought, as referred to by Martin Jay and Amelia Jones. The work reviews the positions of both authors with respect to the relationship between Lacan's Mirror Stage and Gaze and Merleau-Ponty's Chiasm or Intertwining, within two areas of …

    arts-london Repository record for The artist's performative practice within the anti-ocularcentric discourse (opens in a new tab)

  5. Lignes, an intellectual revue: twenty-five years of politics, philosophy, art and literature

    The thesis takes the French revue Lignes (1987-present) as its object of study to provide a new account of French intellectual culture over the last twenty-five years. Whilst there are now many studies covering the role of such revues throughout the twentieth-century, the majority of such …

    cambridge Repository record for Lignes, an intellectual revue: twenty-five years of politics, philosophy, art and literature (opens in a new tab)