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Showing 1 to 8 of 8 for “"Fortepiano"”.

  1. An historical and analytical study of Beethoven's fortepiano sonata in A Major, Opus 101 : a performance practice perspective

    Schermerhorn, Marta

    sjsu Repository record

  2. The basso continuo : a survey of its origins in Italy and of its evolutionary diversification in Germany and France between 1650 and 1750

    Van Schoor, Richard JohnCollege of Music1998

    … where I hoped to trace :-,e development of the fortepiano and gain some insight into the circumstar:.es responsible for its appearance. Apart from an interest in the evolution of the pianc as an instrument, I was eager to examine the relationship between instrument and c-:,r:-,:J8ser with the …

    cape-town Repository record

  3. Pedalling on: An autoethnographical journey of creative discovery

    Dunlop, JonathanThe University of Waikato2024

    … pedalling was considered to be a novelty on the fortepiano and was not seriously notated in the detailed style of later composers such as Beethoven and Schumann. The thesis explores ways to use the sustain pedal in keyboard works by CPE Bach, JC Bach, Haydn and Mozart, and also early Romantic …

    waikato-masters Repository record

  4. MARKED FOR CONSCIOUSNESS: ACCENT SYMBOLS AS AN INTERPRETIVE TOOL IN SCHUMANN’S DUO WORKS WITH PIANO

    Langlois, Michael2018

    … Schumann’s five signs by intensity from the fortepiano at the lowest to the sforzando at the highest, we suggest here that accents may instead be classified by whether they articulate the boundaries of a phrase, underscore its melodic shape, highlight a syncopation, a significant harmonic …

    maryland Repository record

  5. The début recording of Leopold Koželuch’s 50 Solo Keyboard Sonatas: portfolio of recorded performances and exegesis.

    English, Kemp Theodore2014

    … the late eighteenth and early nineteenth-century fortepiano. Original and reproduction instruments have been used throughout the recording process with each instrument chosen to match the appropriate stylistic phase.

    adelaide Repository record

  6. SELECTING FINGERING FOR PERFORMING MOZART’S PIANO MUSIC

    Chai, CongcongUniversity of Kansas2016

    The purpose of finger selection for composers and musicians has changed since the 18th century due to many factors. In order to understand how fingering selection can serve a composer’s musical intention, this paper concentrates on the study of historical treatises and performance practice, the …

    ku Repository record

  7. Variations on a Rococo theme, Op.33 : Pyotr Tchaikovsky and Karl Friedrich Wilhelm Fitzenhagen : a creative collaboration : Moscow and Saint Petersburg violoncello schools in the light of European traditions : a historical and textological clarification

    Istomin, SergeiGhent University. Faculty of Arts and Philosophy ; HoGent. Royal Academy of Fine Arts & Royal Conservatory2019

    ghent Repository record

  8. Tasteful piano performance in classic-era Britain

    Huntingford, JamesEdith Cowan University, Research Online, Perth, Western Australia2021

    In recent decades, British solo piano repertoire of the Classic era has attracted increasing interest from researchers. A number of scholars have sought to identify the compositional elements that comprise late eighteenth- and early nineteenth-century British piano music. Despite this interest, …

    edithcowan Repository record