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Showing 1 to 5 of 5 for “"Formenlehre"”.

  1. Heinrich Schenker’s Early Approach to Form, 1895–1921: Implications for His Late Work and Its Reception

    … <p>Chapter 1 defines the nineteenth-century <em>Formenlehre</em> tradition established by A. B. Marx and passed down to Anton Bruckner through his studies in model composition, leading to Schenker himself. Chapter 2 presents Schenker’s early approach to form in a generative fashion, demonstrating …

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  2. Rotational strategy in selected works by Béla Bartók

    … movements organized according to more familiar Formenlehre categories such as sonata form or rondo”, in the dissertation that follows I propose a framework for rotational analysis that is sufficient as a self-standing analytical structure. This step back from the more familiar Formenlehre is …

    lsu-thes Repository record for Rotational strategy in selected works by Béla Bartók (opens in a new tab)

  3. Franz Liszt's sonata narratives: large-scale forms at the Weimar Court

    … to the theoretical models of the new <i>Formenlehre</i>, including William Caplin’s theory of formal functions, James Hepokoski and Warren Darcy’s Sonata Theory, and their nineteenth-century complements in Schmalfeldt, Horton, and Vande Moortele, the analyses co-inhabit both empirical and …

    qu-belfast Repository record for Franz Liszt's sonata narratives: large-scale forms at the Weimar Court (opens in a new tab)

  4. Passé recomposé: Neoclassical Sonata Form in Interwar France

    … and then by placing my methodology within the Formenlehre tradition. Notions of time play a central role in this chapter, and indeed throughout the dissertation. In Chapters Two and Three, I define the elements of this music that are used to express beginning, middle and ending functions. These …

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  5. Creating Musical Structure through Performance: A Re-Interpretation of Brahms's Cello Sonatas

    … in theoretical literature, however, this Formenlehre tradition is not universal in musical thought. Since antiquity, theorists have resorted to images of dynamism, change, process, energy, intensity, and narration to denote a more elastic conception of (musical) form. However, most of them …

    cambridge Repository record for Creating Musical Structure through Performance: A Re-Interpretation of Brahms's Cello Sonatas (opens in a new tab)