Global ETD Search
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Showing 1 to 5 of 5 for “"Formenlehre"”.
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Heinrich Schenker’s Early Approach to Form, 1895–1921: Implications for His Late Work and Its Reception
… <p>Chapter 1 defines the nineteenth-century <em>Formenlehre</em> tradition established by A. B. Marx and passed down to Anton Bruckner through his studies in model composition, leading to Schenker himself. Chapter 2 presents Schenker’s early approach to form in a generative fashion, demonstrating …
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Rotational strategy in selected works by Béla Bartók
… movements organized according to more familiar Formenlehre categories such as sonata form or rondo”, in the dissertation that follows I propose a framework for rotational analysis that is sufficient as a self-standing analytical structure. This step back from the more familiar Formenlehre is …
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Franz Liszt's sonata narratives: large-scale forms at the Weimar Court
… to the theoretical models of the new <i>Formenlehre</i>, including William Caplin’s theory of formal functions, James Hepokoski and Warren Darcy’s Sonata Theory, and their nineteenth-century complements in Schmalfeldt, Horton, and Vande Moortele, the analyses co-inhabit both empirical and …
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Passé recomposé: Neoclassical Sonata Form in Interwar France
… and then by placing my methodology within the Formenlehre tradition. Notions of time play a central role in this chapter, and indeed throughout the dissertation. In Chapters Two and Three, I define the elements of this music that are used to express beginning, middle and ending functions. These …
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Creating Musical Structure through Performance: A Re-Interpretation of Brahms's Cello Sonatas
… in theoretical literature, however, this Formenlehre tradition is not universal in musical thought. Since antiquity, theorists have resorted to images of dynamism, change, process, energy, intensity, and narration to denote a more elastic conception of (musical) form. However, most of them …