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Showing 1 to 3 of 3 for “"Forced Entertainment"”.

  1. ‘The decentralisation of authorship and language within contemporary theatre: triangulation of critical reading, research into practice, and research through practice’

    … reading of Artaud’s vision informs comparison of Forced Entertainment’s and Pantheatre’s praxes. Within their practice some aspects of decentralisation are realised through techniques that embody some of the visceral qualities Artaud sought, engaging the audience in emotive, if predominantly …

    cent-lancashire Repository record for ‘The decentralisation of authorship and language within contemporary theatre: triangulation of critical reading, research into practice, and research through practice’ (opens in a new tab)

  2. Rewriting the Boundaries

    … theory. The practitioners discussed include Forced Entertainment, Third Angel, Stan’s Cafe, Blast Theory and Desperate Optimists, who were all practising during the 1990s in Britain, the period during which the examples used in the thesis were produced. The thesis argues that the group of …

    de-montfort Repository record for Rewriting the Boundaries (opens in a new tab)

  3. The construction of skill in contemporary experimental theatre

    … conditioned. Chapter 3 focuses on productions by Forced Entertainment since Bloody Mess (2004), as the company have attempted to reconcile their commitment to avant-garde convention-breaking with a reliable, recognisable set of practices. I argue that they rigorously negate skill, by sustaining a …

    cambridge Repository record for The construction of skill in contemporary experimental theatre (opens in a new tab)