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Showing 1 to 5 of 5 for “"Fernando Ortiz"”.

  1. Race in the Scientific Imagination at the Turn of the Twentieth Century in Brazil and Cuba

    … rhetoric in the work of Euclides da Cunha and Fernando Ortiz, as well as a large number of photographs, from this period of institutional modernization, identifies the racial variable as the conceptual locus of coexistence and struggle amongst multiple representational regimens produced by …

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  2. Os mundos que damos a conhecer: transculturação narrativa em O Abraço da Serpente , de Ciro Guerra

    … de transculturação, do antropólogo e político Fernando Ortiz, para compreender a natureza da formação cultural latino-americana a partir do período colonial até a atualidade. Este conceito, emprestado por Angel Rama, é usado para pensar um processo análogo para a construção de narrativas …

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  3. Cumbia Tejana: Synthesis Towards Unification in the Tejano Continuum

    … best understood through what Ethnomusicologist Fernando Ortiz theorized as, "Transculturation". This being the fluid and dynamic convergence of ethnicity and expression, i.e., the Mexican, American, and Pan-Latino influences on Tejano identity. The transcultural mediation that South Texas …

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  4. Plantation America: the US South and the Caribbean in the literary culture of empire, 1898-1959

    … theory, including work by Édouard Glissant, Fernando Ortiz, and C. L. R. James, I examine Richard Wright’s postplantation perspective in his little studied Haitian manuscript, transculturation in Ernest Hemingway’s Key West and Cuban works, the modern plantation empire in stories of the …

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  5. Through the Eyes of Shamans: Childhood and the Construction of Identity in Rosario Castellanos' "Balun-Canan" and Rudolfo Anaya's "Bless Me, Ultima"

    <p>This study offers a comparative analysis of Rosario Castellanos' <em>Balún-Canán</em> and Rudolfo Anaya's <em>Bless Me, Ultima,</em> novels that provide examples on how children construct their identity in hybrid communities in southeastern Mexico and the U.S. southwest. The protagonists grow …

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