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Showing 1 to 4 of 4 for “"Ethic of Flourishing"”.

  1. Dwelling in Ecological Poetry: Emily Dickinson's Nature Poems and Henry David Thoreau's Walden

    … poems and Henry David Thoreau’s great poem of Walden enact patterns of human relationship with the natural world, patterns that resound in our living interactions with nature. In their efforts to valorize alternative, relational perceptions of human self, Dickinson and Thoreau demonstrate an …

    montana-tech Repository record for Dwelling in Ecological Poetry: Emily Dickinson's Nature Poems and Henry David Thoreau's Walden (opens in a new tab)

  2. Dwelling in Ecological Poetry: Emily Dickinson's Nature Poems and Henry David Thoreau's Walden

    … poems and Henry David Thoreau’s great poem of Walden enact patterns of human relationship with the natural world, patterns that resound in our living interactions with nature. In their efforts to valorize alternative, relational perceptions of human self, Dickinson and Thoreau demonstrate an …

    montana Repository record for Dwelling in Ecological Poetry: Emily Dickinson's Nature Poems and Henry David Thoreau's Walden (opens in a new tab)

  3. COMMUNITY, BODY, AND LANDSCAPE: CONSTRUCTION OF PLACE IN MOLLY GLOSS’S THE DAZZLE OF DAY AND URSULA K. LE GUIN’S ALWAYS COMING HOME

    In this thesis I use ecofeminist environmental ethics and phenomenological place theory to examine the sense of place created by Molly Gloss in The Dazzle of Day (1997) and by Ursula K. Le Guin in Always Coming Home (1985). Ecofiction narratives, such as Dazzle and Always, are particularly …

    montana-tech Repository record for COMMUNITY, BODY, AND LANDSCAPE: CONSTRUCTION OF PLACE IN MOLLY GLOSS’S THE DAZZLE OF DAY AND URSULA K. LE GUIN’S ALWAYS COMING HOME (opens in a new tab)

  4. COMMUNITY, BODY, AND LANDSCAPE: CONSTRUCTION OF PLACE IN MOLLY GLOSS’S THE DAZZLE OF DAY AND URSULA K. LE GUIN’S ALWAYS COMING HOME

    In this thesis I use ecofeminist environmental ethics and phenomenological place theory to examine the sense of place created by Molly Gloss in The Dazzle of Day (1997) and by Ursula K. Le Guin in Always Coming Home (1985). Ecofiction narratives, such as Dazzle and Always, are particularly …

    montana Repository record for COMMUNITY, BODY, AND LANDSCAPE: CONSTRUCTION OF PLACE IN MOLLY GLOSS’S THE DAZZLE OF DAY AND URSULA K. LE GUIN’S ALWAYS COMING HOME (opens in a new tab)