Global ETD Search

Sublime and infernal reveries : George Romney and the creation of an eighteenth-century history painter

May, S ELiverpool John Moores University2007

… the collaborative nature of creativity in the eighteenth century. George Romney's career demonstrates that even within changing social and creative orders, and a long-side more modem impulses, longstanding traditions involving a close association between artists and advisors, striving for …

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Civil religion in Britain, 1707 - c.1800

Walsh, Ashley JamesUniversity of Cambridge2018

… Britain. In the aftermath of the seventeenth-century wars of religion, theorists of civil religion sought to render Protestant Christianity a faith whose ecclesiology was compatible with the civil state and whose practice encouraged civilised society. It presents lay thinkers including Anthony …

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Frederick the Great and the Meanings of War, 1730-1755

Storring, Adam LindsayUniversity of Cambridge2018

… time’: that is, of the late seventeenth to early eighteenth centuries. It uses the methodology of cultural history, which focuses on the meanings given to human activities, to examine Frederick and the warfare of his time on three levels: cultural, temporal, and intellectual. It shows that …

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Contemporary and historical performance practice in late eighteenth-century violin repertoire : observations on articulation, bow strokes, and interpretation : an exegesis submitted to Massey University and Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Musical Arts in Violin Performance

He, Jun2014

massey

Sensation, Sacred Landscapes, and the Sense of the Past in Britain and Ireland, 1689-1760

Hendry, JacobUniversity of Cambridge2023

… for British Protestants in the first half of the eighteenth century. It examines the relationship between attitudes to the visible past and the history of emotions, the senses, and experience to reveal the religious inflections of the eighteenth-century culture of sensibility. With this in mind, I …

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