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Showing 1 to 9 of 9 for “"Edwidge Danticat"”.

  1. Towards a trans-Caribbean poetics: A new aesthetic of power and resistance

    … works of Julia Alvarez (The Dominican Republic), Edwidge Danticat (Haiti) and Junot Díaz (The Dominican Republic) share thematic and biographical similarities and reveal an emerging aesthetic with definite textual and thematic traits that I identify as Trans-Caribbean, a poetics with four main …

    uiuc Repository record for Towards a trans-Caribbean poetics: A new aesthetic of power and resistance (opens in a new tab)

  2. Windows on the World: The Aesthetics of Difference in Neoliberal New York

    … and J.P. Sniadecki; and writers Teju Cole, Edwidge Danticat, and Joseph O’Neill.</p>

    cuny-grad Repository record for Windows on the World: The Aesthetics of Difference in Neoliberal New York (opens in a new tab)

  3. Reaching for Opacity: Contemporary Afrodiasporic Literature

    … Offering readings of writers such as Edwidge Danticat, Fred Moten, M. NourbeSe Philip, Dionne Brand, and Claudia Rankine, this dissertation amplifies the call for a heightened awareness of the way opacity is woven into both our quotidian encounters and collective political life in a …

    cornell Repository record for Reaching for Opacity: Contemporary Afrodiasporic Literature (opens in a new tab)

  4. Negotiating Identity in the Transnational Imaginary of Julia Alvarez's and Edwidge Danticat's Literature

    … one group over another. In the literature of Edwidge Danticat and Julia Alvarez, however, a fictional space is created that rewrites national histories and problematizes rooted identities through their novels' characterization. This fictional space is a transnational paradigm that—in the …

    byu Repository record for Negotiating Identity in the Transnational Imaginary of Julia Alvarez's and Edwidge Danticat's Literature (opens in a new tab)

  5. The Kaleidoscopic Unsaid: Voice, Memory, and Body of the Afro-Americas

    … Junot Díaz and in The Farming of Bones (1996) by Edwidge Danticat. Finally, with the films Pelo malo (2013) by Mariana Rondón and La playa D.C. (2012) by Juan Andrés Arango Garcia I show how the Black male body and hair fluid sites of resistance. Together these three chapters show how the subjects …

    umn Repository record for The Kaleidoscopic Unsaid: Voice, Memory, and Body of the Afro-Americas (opens in a new tab)

  6. Cartographic Memories and Geographies of Pain: Bodily Representations in Caribbean Women's Art

    … perspectives and experiences. Dionne Brand, Edwidge Danticat, Marion Hall, Joan Riley and Myriam Warner-Vieyra provide us with an opportunity to trace the processes through which Caribbean women artists write their own bodies and how those bodies can be used to explore larger issues around …

    maryland Repository record for Cartographic Memories and Geographies of Pain: Bodily Representations in Caribbean Women's Art (opens in a new tab)

  7. The Adolescent Grotesque: Transgressing Boundaries of Female Sexuality in Edwidge Danticat’s Breath, Eyes, Memory and Jamaica Kincaid’s Annie John

    … by internal and external bodily changes. Edwidge Danticat and Jamaica Kincaid employ the first-person narrative style in their respective debut novels, <em>Breath, Eyes, Memory </em>and <em>Annie John</em>, to amplify the female adolescent voice and provide unmitigated access to the female …

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  8. Recalling trauma: the legacy of slavery and colonialism in contemporary black women’s fiction

    … by Toni Morrison, Chimamanda Ngozi Adichie, Edwidge Danticat, Tsitsi Dangarembga and Scholastique Mukasonga published between 2004 and 2014. The authors I consider represent literary historians engaging with traumatic pasts in order to rewrite and (re)present black women in a global present. …

    wlv Repository record for Recalling trauma: the legacy of slavery and colonialism in contemporary black women’s fiction (opens in a new tab)