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Showing 1 to 6 of 6 for “"Divina Commedia"”.
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Dante's Divine Comedy as a theurgic act, a guide for the blessed reader from a state of misery to a state of bliss.
The enduring fascination of Dante’s Divina Commedia has attracted, for centuries, not only scholars of medieval literature, Italian or Renaissance studies, but also scholars of modern cosmology and mathematics who, seeking explanations for their research results, rediscover and find inspiration in …
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Dante's Poetics of Absence
… analysis of absence in Dante Alighieri’s Commedia. In particular, it examines those absences which Dante renders conspicuous, and proposes the importance of the interpretation of conspicuous absence in the poem: a subject which has only ever been examined in passing in Dante scholarship to …
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Italian Readers of Ovid: From the Origins to Dante
… vernacular poems composed in Sicily to Dante's "Divina Commedia." Starting from the very beginnings of a new literary culture, I show how the increasing availability of Ovid's texts is mirrored in the increasing textual presence of Ovid in the vernacular writings of the period. Identifying the …
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Dante Praedicator: Sermons and Preaching Culture in the Commedia
… to an Understudied Rhetorical Mode in the Commedia," elaborates on the argument that Dante the poet oftentimes acts as a preacher, and shows how this claim opens up new lines of inquiry into the poet's textuality. The first part of this chapter shows how the Commedia's early reception …
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Aldo Rossi, autobiografia scientifica: scrittura come progetto. Indagine critica tra scrittura e progetto di architettura
… “things”, but also to appeal to authority of the Divina Commedia started by Dante when he was 30. «A trent’anni si deve compiere o iniziare qualcosa di definitivo e fare i conti con la propria formazione» . For Rossi, the poet performs his authority not only in the text, but also in his will of …
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Il commento di Benvenuto da Imola a Valerio Massimo. Edizione critica dell’Expositio
… absence of quotations from Dante and the Commedia in the Expositio, significant of the author's desire to root his exegesis in classical antiquity.