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Showing 1 to 7 of 7 for “"Disney company"”.

  1. EXPLORING THE VISUAL REPRESENTATION OF TEEN IDOLS

    … the popular music industry and produced by the Disney Company, are regarded as teen idols. Considering P. David Marshall’s definition of teen celebrities as non-threatening commodities of consumer culture targeting a pre-adolescent and adolescent audience, I argue that on the contrary, the …

    uwo Repository record for EXPLORING THE VISUAL REPRESENTATION OF TEEN IDOLS (opens in a new tab)

  2. O marketing dos eventos de Star Wars e o relacionamento com os fãs

    … relacionamento dos fãs com as empresas The Walt Disney Company, Lucasfilm Ltd. e Editora Aleph. Os representantes dos fã-clubes Conselho Jedi Rio de Janeiro, São Paulo e Minas Gerais, também contribuíram para o estudo, auxiliando com relatos sobre o ponto de vista do fã acerca desse …

    brazil-ufba Repository record for O marketing dos eventos de Star Wars e o relacionamento com os fãs (opens in a new tab)

  3. Claiming a Place in the Magic Kingdom: A Queer Analysis of Disney Movies from 2010 to 2020

    Disney movies are a vehicle for American culture; however, Disney has lagged behind in representing queer people in their films as protagonists. For this reason, critical scholarship is necessary to understand Disney's role in building, replicating or changing culture. Although some critical work …

    vt Repository record for Claiming a Place in the Magic Kingdom: A Queer Analysis of Disney Movies from 2010 to 2020 (opens in a new tab)

  4. 'A Place Called Slaughter Race': Spectres of conflict in contemporary Disney animation

    … as forms of conflict informing the Walt Disney Animation Studios features Big Hero 6 (Don Hall and Chris Williams, 2014), Zootopia (Byron Howard and Rich Moore, 2016), Moana (Ron Clements and John Musker, 2016) and Ralph Breaks the Internet (Rich Moore and Phil Johnston, 2018). By …

    cambridge Repository record for 'A Place Called Slaughter Race': Spectres of conflict in contemporary Disney animation (opens in a new tab)

  5. Beyond the Aesthetic Machine: Disney's Multiplane Camera and the Role of Special Effects Technologies in the Animation Industry

    The Walt Disney Company, throughout its history, has foregrounded a commitment to technological innovation as a tool for creating stories and entertaining audiences. One of Disney's most celebrated exemplars of this commitment is the multiplane camera, a special effects device first introduced in …

    vt Repository record for Beyond the Aesthetic Machine: Disney's Multiplane Camera and the Role of Special Effects Technologies in the Animation Industry (opens in a new tab)

  6. Down the rabbit hole: An Exhibition – and – Alice in Wonderland engaging with the reflexive project of the self: An exegesis

    … the domination of this imagery by The Walt Disney Company (Disney). Additionally, I investigate some of the visual artists who, like myself, have found an interconnection between the visual world and this remarkable piece of literature. From the many visual artists who have re-imagined the …

    edithcowan Repository record for Down the rabbit hole: An Exhibition – and – Alice in Wonderland engaging with the reflexive project of the self: An exegesis (opens in a new tab)

  7. The Edutainer: Walt Disney, Nature Films, and American Understandings of Nature in the Twentieth Century

    Throughout much of the twentieth century Walt Disney wielded considerable influence in American culture. By identifying and commercially exploiting a strain of environmental thought that sentimentalized and romanticized nature, Walt Disney influenced the attitudes of millions of Americans …

    temple Repository record for The Edutainer: Walt Disney, Nature Films, and American Understandings of Nature in the Twentieth Century (opens in a new tab)