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Showing 1 to 15 of 15 for “"Digital cinema"”.

  1. Digital cinema and the legacy of George Lucas

    Cinema history is strewn with moments of significant upheaval inextricably tied to the ontological evolution of the medium. Reappraising how we have defined and discussed cinema reveals a gradual process of growth often fraught with both anxiety and optimism. However, cinema’s latest technological …

    qu-belfast Repository record for Digital cinema and the legacy of George Lucas (opens in a new tab)

  2. Digital cinema--an environment for multi-threaded stories

    Thesis (M.S.)--Massachusetts Institute of Technology, Program in Media Arts & Sciences, 1993.

    mit Repository record for Digital cinema--an environment for multi-threaded stories (opens in a new tab)

  3. Clockspeed boundary modularity : a novel approach to architect digital cinema system

    Thesis (S.M.)--Massachusetts Institute of Technology, System Design & Management Program, 2003.

    mit Repository record for Clockspeed boundary modularity : a novel approach to architect digital cinema system (opens in a new tab)

  4. MIA-mi: Exploring the Affect of Digital Cinema Through Micro-Budget Production Techniques

    MIA-mi is a feature-length, micro-budget, and digital motion picture, produced, written, and directed by Yesenia Lima in pursuit of the Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The film is a satirical and naturalistic look at the standing global …

    ucf

  5. Re-animating Post-Digital Cinema: [Animated] Fluidity and Hybrid Aesthetics in Tomm Moore’s Celtic Trilogy

    … in film.</p> <p>Paralleling a history of cinematic theories by Arnheim, Cholodenko and Manovich projects a shared space for (live action) cinema and the animated film, which even predates the digital era. This discussion is complicated by the total conflation of live action and animated …

    chapman Repository record for Re-animating Post-Digital Cinema: [Animated] Fluidity and Hybrid Aesthetics in Tomm Moore’s Celtic Trilogy (opens in a new tab)

  6. Finding Treasure: The Story of a Micro-budget Digital Film

    … earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the School of Visual Arts and Design at the University of Central Florida. This thesis is a documentary record of the film production from concept to completion. In this thesis the concerns of authorship are explored from the …

    ucf

  7. Wise the Wizard: A Feature Documentary about the Late Harry Wise of Sanford, Florida

    … earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The film focuses on the late Harry Wise, a magician from Sanford, Florida, as remembered by the people who knew him best. Interview subjects include the following: author and TV Producer Charlie …

    ucf

  8. Ode to Amiel: A Micro-budget Experimental Essay Film

    … of Fine Arts in Film in the Entrepreneurial Digital Cinema track from the University of Central Florida. The film explores one woman's reaction to trauma and depersonalization disorder through the journal entries of 19th Century Swiss philosopher, Henri Frederic Amiel. Passages from Amiel's …

    ucf

  9. Testament: Mastering and Transcending the Microbudget Model for a Feature Film

    … a Master of Fine Arts in the Entrepreneurial Digital Cinema program at the University of Central Florida. The film follows a bitter former follower of a marginally popular social-justice movement who must keep the movement alive after its mysterious leader is killed violently and publicly. The …

    ucf

  10. Lifetime Testing of Wire-Grid Polarizers with Selected Over-Coatings

    … high lumen lighting, laser devices, high lumen digital cinema projectors, LED packaging, and other integrated optical applications and are driving the need for over-coatings. Over-coating a WGP has been found to increase lifetime and durability. This research provides lifetime data on coated and …

    byu Repository record for Lifetime Testing of Wire-Grid Polarizers with Selected Over-Coatings (opens in a new tab)

  11. Vibrating Existence: Early Cinema and Cognitive Creativity

    … how our perceptual and cognitive experience of cinema has changed diachronically and especially as a result of the transition from analogue to digital cinema projection. The slow arrival but sudden dominance of digital projection technology has provided a historic opportunity of renewed interest …

    plymouth Repository record for Vibrating Existence: Early Cinema and Cognitive Creativity (opens in a new tab)

  12. Contemporary Developments in Cinema Exhibition

    … PhD by Published Works charts the history of cinema exhibition in Britain from the late 1950s to the present. At the start of this period, cinemagoing as a form of public entertainment entered a long period of decline that was only arrested with the development and growth of multiplex cinemas …

    de-montfort Repository record for Contemporary Developments in Cinema Exhibition (opens in a new tab)

  13. Montage As A Participatory System: Interactions with the Moving Image

    … for the moving image, might a variety of (pre-digital) precursors from the worlds of art, architecture and film offer the designer models for inspiration or adaptation? A series of projects have been undertaken. Each investigates the composite moving image, specifically in the context of …

    plymouth Repository record for Montage As A Participatory System: Interactions with the Moving Image (opens in a new tab)

  14. Perceiving voids: Memory And Sight Afflictions In Contemporary Cinema

    … disgregation of the classical and postclassical cinematographic characters, and affect cinematographic language, establishing a dialectical relation with the filmic image that contaminates our spectatorial perception. In the first chapter I propose a different reading of a few moments in film …

    plymouth Repository record for Perceiving voids: Memory And Sight Afflictions In Contemporary Cinema (opens in a new tab)

  15. Independent Content Creators Online: A Paradigm Shift in Film Aesthetic and Production, the Case of Israel

    … made a transition to prime-time television and cinema. Their careers have a strong inseparable connection to social networks, especially Facebook, which has been the most popular one in Israel. A few years before the age of social networks, there have already been a handful of successful artists …

    cambridge Repository record for Independent Content Creators Online: A Paradigm Shift in Film Aesthetic and Production, the Case of Israel (opens in a new tab)