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Showing 1 to 8 of 8 for “"De Stael"”.

  1. Representations De La Noblesse Dans Le Roman Francais (1789--1848)

    The French nobility is considered as a class defeated by the bourgeoisie and irrelevant within the capitalist economy. This widespread view fails to explain the vivid presence of the nobles in the 19th century cultural production. A phenomenological analysis of five novels (L'emigre, by Senac de

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  2. Women Writers in Revolution: Feminism in Germaine de Staël and Ding Ling

    … of the two revolutionary women, Germaine de Stael, who lived and wrote during the French revolutionary era, and Ding Ling, who lived and wrote during the Chinese Communist revolutionary era. The main theme of the essay is to determine whether the feminism in their work is of a similar …

    wku-diss Repository record for Women Writers in Revolution: Feminism in Germaine de Staël and Ding Ling (opens in a new tab)

  3. The woman singer and her song in French and German prose fiction (circa 1790-1848)

    … in chapter 2, and the theoretical context of idealized female song in chapter 3, I first show the strong ideological dimension of the singer as a character of ambivalence. I then investigate how literature responded to this theme, and how key authors developed the character as a reflection on …

    oxford-brookes Repository record for The woman singer and her song in French and German prose fiction (circa 1790-1848) (opens in a new tab)

  4. Lord Byron and women's writing

    … these textual interactions. In doing so, I consider the extent to which ideas of literary ‘influence’ are appropriate for these relations. Particular case studies – Lady Mary Wortley Montagu, Madame de Staël, Joanne Baillie, and Mary Shelley – are framed within wider considerations of Byron’s …

    qu-belfast Repository record for Lord Byron and women's writing (opens in a new tab)

  5. PARIGI A TORINO. STORIA DELLE MOSTRE ¿PITTORI D¿OGGI. FRANCIA-ITALIA¿

    This project reconstructs the development of art exhibitions promoted by the committee “Francia-Italia” in Turin from 1951 to 1964. This committee organized the art exhibitions “Peintres d’aujourd’hui. France-Italie” (or “Pittori d’Oggi. Francia-Italia”), earlier in the halls of the “Promotrice” …

    milano Repository record for PARIGI A TORINO. STORIA DELLE MOSTRE ¿PITTORI D¿OGGI. FRANCIA-ITALIA¿ (opens in a new tab)