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Showing 1 to 5 of 5 for “"Dallapiccola"”.
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Style and Method in Three Compositions of Luigi Dallapiccola
Made available in DSpace on 2014-12-11T17:21:04Z (GMT). No. of bitstreams: 1 7206906.pdf: 7333393 bytes, checksum: 51bf2bebf8ac02ee6d339d82015e315e (MD5) Previous issue date: 1971
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La riscoperta della poesia antica italiana nei compositori del primo Novecento in Italia. Dalla generazione dell'Ottanta a Luigi Dallapiccola
… was given to two composers, Malipiero and Dallapiccola, who strived strongly for musical renewal, whose fundamental part was the reintroducing of the ancient. In fact, initiating with the analysis of the dynamics of the cultural context of the late nineteenth and early twentieth centuries …
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The Principle of Variation: A Study in the Selection of Differences With Examples From Dallapiccola, J. S. Bach, and Brahms
… Musicale di Annalibera for piano solo by Luigi Dallapiccola. The compositions, each a set of variations, are discussed from five perspectives, the dissertation itself being a set of five variations on the topic of investigating variations.
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On the Poetics of Nonlinear Time: Dallapiccola's Canti di Liberazione
The final piece of Dallapiccola’s “protest triptych” responding to Mussolinian fascism, Canti di Liberazione (1955) shows Dallapiccola’s abiding interest in author James Joyce’s work through its literary-inspired “simultaneity” and compositional strategies that suggest mixed temporalities (diverse …