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"Petr Eben's Oratorio ""Apologia Sokratus"" (1967) and Ballet ""Curses and Blessings"" (1983): An Interpretative Analysis of the Symbolism Behind the Text Settings and Musical Style"

Matova, NellyUniversity of Illinois at Urbana-Champaign2015

… influences as diverse as Gregorian chant and folk tunes on the one hand, and modern vocal techniques such as Sprechgesang and vocal aleatoricism on the other. His harmonic language includes bitonality and polytonality, used to augment the tonal legacy of earlier times, together with …

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Petr Eben's oratorio Apologia Sokratus (1967) and ballet Curses and Blessings (1983): An interpretative analysis of the symbolism behind the text settings and musical style

Matova, NellyUniversity of Illinois at Urbana-Champaign2010

Made available in DSpace on 2010-08-20T18:01:32Z (GMT). No. of bitstreams: 4 Matova_Nelly.pdf: 14172125 bytes, checksum: 221b568203633c0e067999cd57dcf663 (MD5) Matova_Nelly.doc: 23407104 bytes, checksum: 557b296d6a36576bb0af61a64ed72039 (MD5) 1_Matova_Nelly.pdf: 13528513 bytes, checksum: …

uiuc Repository record for Petr Eben's oratorio Apologia Sokratus (1967) and ballet Curses and Blessings (1983): An interpretative analysis of the symbolism behind the text settings and musical style (opens in a new tab)