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Showing 1 to 6 of 6 for “"Crashaw"”.
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"Love is Eloquence": Richard Crashaw and the Development of a Discourse of Divine Love
… takes as its subject the poetry of Richard Crashaw. Crashaw aims to represent a mutual relationship of love between God and humanity, which is modelled on the discourses of earthly, erotic love. However, such a relationship, and its expression is highly problematic. Love, and this kind of …
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"Love is Eloquence": Richard Crashaw and the Development of a Discourse of Divine Love
… takes as its subject the poetry of Richard Crashaw. Crashaw aims to represent a mutual relationship of love between God and humanity, which is modelled on the discourses of earthly, erotic love. However, such a relationship, and its expression is highly problematic. Love, and this kind of …
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A Study of Crashaw's Paraphrases of the Liturgical Hymns
… which is today being accorded to Richard Crashaw, convert, scholar, "Poet and Saint." For if, in our times, times so grossly materialistic, so divorced from spiritual ideals and ideas, there can be noted a gradual revival of interest in the poetry of Crashaw, the mystic, the outlook is not …
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“That Those Hearing or Reading Might Strive to Imitate”: Donative Intent, Positive Triangular Mimetic Desire, and the Portrayal of the Mediator-Divine (non)Object Relationship in Richard Rolle, Julian of Norwich, and Richard Crashaw
… triangle enabled by its divine object. Richard Crashaw presents a unique derivative donative intent, portraying in his Teresan poems Teresa of Avila as mediator and her mediator-object relationship. His stylistic choices serve these portrayals, providing a reading experience aesthetically …
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The Intellectual and Imaginative Concept of the Angels in Certain Works of John Donne
… One recalls Herbert, Vaughan, Traherne or Crashaw, Milton, Thomas Heywood, Jeremy Taylor and Launcelot Andrews, among others. Among these writers John Donne stands in a most interesting position. He was a lyric poet of talent: vigorous, versatile, popular; he was also a deeply religious …
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Exit the King: Sovereignty and Subjectivity in the English Baroque
… it only for the overt, fussy Catholicism of Crashaw or Southwell or to taxonomize heavily brocaded stylistic moments in Marvell or Cowley. My analysis instead uses the concept of the Baroque to diagram this period’s unresolved secularizing pressures, not just in its margins but in texts at …