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Showing 1 to 20 of 59 for “"Cormac"”.

  1. Intertextuality in the Fiction of Cormac McCarthy

    <p>The moral and aesthetic complexity of Cormac McCarthy's fiction demands sophisticated theoretical reading paradigms. Intertextuality informed by poststructuralism is a theoretical approach that enables one to read the moral and aesthetic elements of McCarthy's work in productive ways. McCarthy's …

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  2. Another World Entire: the Posthumanism of Cormac Mccarthy

    Cormac McCarthy's novels are thought experiments in what it might mean to write posthuman works of fiction. In a close reading of three of his novels, Child of God, The Crossing, and The Road , this project reveals how McCarthy's stories paradoxically unravel the dangerous human desire to make of …

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  3. Virtue in the tragic vision of Cormac McCarthy.

    Cormac McCarthy's novels evoke a more complex perspective than many conventional descriptions—e.g., redemptive or nihilistic, modern or postmodern—allow. Focusing primarily on his Western novels, I demonstrate in contrast that the author's vision is essentially tragic. This vision rejects hopes in …

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  4. Searching for a moral center in Cormac McCarthy.

    In an examination of critical responses to Cormac McCarthy's fiction, two opposing viewpoints emerge. Many critics, such as Vereen Bell, interpret McCarthy's fictional world as a nihilistic one. Edwin Arnold, however, rejects this approach and contends that McCarthy's fiction possesses a distinctly …

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  5. The Meaning of Pain in Cormac McCarthy's Border Trilogy

    While the majority of McCarthy’s work graphically depicts brutal violence, it often avoids portrayals of subjective pain. Although his first four novels incorporate descriptions of subjective pain at crucial points in the narrative, in the Border Trilogy, McCarthy overtly elucidates the myriad ways …

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  6. The Meaning of Pain in Cormac McCarthy's Border Trilogy

    While the majority of McCarthy’s work graphically depicts brutal violence, it often avoids portrayals of subjective pain. Although his first four novels incorporate descriptions of subjective pain at crucial points in the narrative, in the Border Trilogy, McCarthy overtly elucidates the myriad ways …

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  7. The myth of masculinity in Cormac McCarthy's Border Trilogy

    This thesis sees Cormac McCarthy’s Border Trilogy as a celebration of the nostalgia and romance characteristic of the Western and the attendant mythologies of masculinity that the genre implies. My argument runs counter to readings of McCarthy’s texts that view them as revising or querying the …

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  8. Exploding anthropocentrism: understanding optical democracy in Cormac McCarthy's Blood Meridian

    In this study, I will attempt to synthesize the aesthetic and metaphysical conceptions of optical democracy. While several critics contend that the concept of optical democracy influences all of McCarthy’s novels, I will limit this treatment to Blood Meridian. By focusing one this one text, I will …

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  9. Slapstick Carnage: The Absurd Universe of Cormac McCarthy's Blood Meridian

    … the function and effect of black comedy in Cormac McCarthy's Blood Meridian. Several different explanations for the presence of comedy in such a relentlessly violent novel have been made: that this humor is simply a realistic depiction of the folksy, dry vernacular of the time; that it …

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  10. Blood as a Binding Agent in Cormac McCarthy's _The Crossing_

    <p>In Cormac McCarthy's <em>The Crossing</em>, one of the most important aspects of blood is the way it connects Billy Parham to his family and the world around him. Billy's actions are driven largely by his desire to maintain his moral code and his connections to nature and his maternal …

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  11. Religious and literary motifs in Cormac McCarthy's border trilogy

    … Horses, The Crossing, and Cities of the Plain, Cormac McCarthy relies upon specific literary motifs that enable his reader to the greater truths he offers. Although McCarthy utilizes many patterns found in religion and literature of the past, three highly significant patterns in his trilogy are: …

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  12. Hell On Earth: A Modern Day Inferno in Cormac McCarthy's The Road

    <p>Cormac McCarthy's The Road and Dante's the Inferno contain textual and thematic comparisons. While the Inferno creates a world that exhibits the worst fears of the medieval Catholic subconscious of Dante's time, The Road paints a world of the darkest fears of the current American subconscious. …

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  13. “War is God” and “Unguessed Kinships”: Blood Meridian and Cormac McCarthy’s “Border Tetralogy”

    … the metaphysics of philosopher Gilles Deleuze to Cormac McCarthy’s novel <em>Blood Meridian</em>, arguing that the novel initiates a thread of immanent subjectivity that unfolds throughout the Border Trilogy that follows it. Against a hierarchical metaphysics of transcendence, specifically an …

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  14. "The Last of the True:" The Kid's Place In Cormac McCarthy's Blood Meridian

    … the relationship of “the kid” and “the judge” in Cormac McCarthy’s Blood Meridian Or The Evening Redness in the West (1985), specifically, how and why the kid resists Judge Holden’s overbearing existential philosophy. In my introduction I set the stage for Judge Holden’s imperial philosophy and …

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  15. "The Last of the True:" The Kid's Place In Cormac McCarthy's Blood Meridian

    … the relationship of “the kid” and “the judge” in Cormac McCarthy’s Blood Meridian Or The Evening Redness in the West (1985), specifically, how and why the kid resists Judge Holden’s overbearing existential philosophy. In my introduction I set the stage for Judge Holden’s imperial philosophy and …

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  16. Architectures for a Future South: Posthumanism and Ruin in the Novels of Cormac McCarthy

    <p>This thesis reads the novels of Cormac McCarthy as posthuman southern literature to explain why fiction from the South after World War II could no longer convey a sense of place during postmodernity: that is, because the region's culture and economy were transitioning from predominantly …

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  17. From Walter Scott to Cormac McCarthy : Scottish Romanticism and the novel from the American South

    … fictional Mississippi. My final chapter analyses Cormac McCarthy’s fiction and his violent revisions of Scott’s border narratives.

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  18. The Familiar Foreign Country: Reading Mexico in Cormac McCarthy, Jack Kerouac, and Katherine Anne Porter

    … of three twentieth-century American authors-Cormac McCarthy, Jack Kerouac, and Katherine Anne Porter-in order to analyze representations of Otherness in modernism and postmodernism. I seek to destabilize the dividing line between these periods as well as to show how representation in …

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  19. A path to nowhere: Violence, sex, and humor in Cormac McCarthy's "Child of God" and "Suttree"

    A Path to Nowhere: Violence, Sex, and Humor in Cormac McCarthy's Child of God and Suttree discusses some of the uses of three prevalent elements in two of McCarthy's works. Chapter One introduces violence and its importance to his fiction, demonstrating that it is often linked with sex and humor, …

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