Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
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Showing 1 to 13 of 13 for “"Conservatories of music"”.
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How Much Do We Practice?: Defining a Course of Study for the Applied Pianist
Histories of higher education isolate the conservatory/music school from their purview by omission, while histories of music education and individual music schools give overviews but do not address in depth the traditions, development, effects, and tensions buried within courses of study and the …
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Cathy Hays' Bachelor Recital
Composers in the recital: Johann Sebastian Bach; Robert Schumann; Franz Schubert
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Gabrieal Gonzales's Graduate Recital
Composers in the graduate recital: W. A. Mozart; Robert Schumann; Gerald Finzi
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Warren Seago's Graduate Recital
Composers in the first graduate recital: Paul Hindemith; G. F. Handel; J. B. G. Neruda; Fisher Tull
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Tom Stirzaker's Ph.D. Recital
Composers in the first Ph.D. recital: W. A. Mozart; Igor Stravinsky; Gioacchino Rossini
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Redford Charles Hazlewood Jr.'s Ph.D. Recital
Composers in the first Ph.D. recital: Gabriel Pierne; Christoph Schaffrath; John Russo; Carl Maria Von Weber; Ludwig Van Beethoven
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Cathy Hays Zepeda's Graduate Recital
Composers in the first graduate recital: Robert Schumann; Gerald Finzi; Manuel de Falla
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Wan Kyu Chung's Graduate Recital
… Ludwig van Beethoven; Claude Debussy; Sergei Prokofieff
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Gabriel Musella's Graduate Recital
Composers in the graduate recital: Robert Jager; Ron Nelson; J. S. Bach; Percy Gralnger; Samuel Barber; Silvestre Revueltas; Alfred Sadel; Terig Tucci
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Kenneth Javier Iyescas' Graduate Recital
Composers in the first graduate recital: Bernard Heiden; Eugene Bozza; Wolfgang Amadeus Mozart; Vaclav Nelhybel
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Jane Womack's Graduate Recital
Composers in the first graduate recital: Johann Sebastian Bach; Ludwig van Beethoven; Franz Liszt; Johannes Brahms; Frederic Chopin
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"Plein de feu, plein d'audace, plein de change" : examining the role of the Méthode de violon in the establishment of the French Violin School
… Viotti performed in the Concerts spirituels of Paris, causing a sensation with his new style of playing, deemed “plein de feu, plein d’audace,” “full of fire, full of audacity.” This paper discusses Viotti’s style in the context of his use of the Tourte bow and “modernized” model of …