Global ETD Search
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Showing 1 to 7 of 7 for “"Concerto No. 1"”.
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Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe
… a composer who has “an ear for the exotic and knows exactly how to bring it off....” He continued by noting that his music is “mentally engrossing, pleasurable to the senses and seems refreshingly free from dogmatic formulas." Johnson writes for musicians and the general public to equal …
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Sergei Taneyev (1856-1915): An Analysis of His Piano Concerto in E-flat Major and Its Relationship to Tchaikovskys Piano Concerto No.1
… seeks to prove that Sergei Taneyev's only piano concerto is a valuable addition to the piano concerto repertoire for historical and theoretical examination. Taneyev's biographical background proves he was one of the major figures in Russian musical life during the late nineteenth century. For …
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Artist diploma recital (violin)
Sonata for violin and piano in D major, op. 9, no. 3 / Jean-Marie Leclair -- Violin sonata in A minor, op. 27, no. 2 / Eugene Ysaye -- Violin concerto no. 1 in A minor, op. 77 / Dmitri Shostakovich.
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Li Zi-Li and His Viola Concerto: Musical Analysis and a Study of Performance Interpretation
… research document intends to examine the Viola Concerto No. 1 by Li Zi-Li in depth and offers musical analysis as well as interpretations and suggestions for how to perform this work. Compared to Western viola repertoire, Chinese viola repertoire is much less studied and performed by violists. …
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An historical and stylistic examination of Charles Chaynes' Concerto Pour Trompette and Deuxième Concerto Pour Trompette, with an interview of the composer.
… prominent mid-twentieth century French trumpet concertos and their composers. Jolivet, Bozza, and Tomasi have all been the subject of research. Charles Chaynes' music is equally valuable to modern trumpet repertoire as that of Jolivet, Bozza, and Tomasi. Chaynes' exclusion from research leaves a …
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AN ANALYSIS OF ALFRED SCHNITTKE'S POLYSTYLISM IN HIS STRING QUARTET NO. 3 (1983)
… and the bulk of his compositional output did not begin until the latter half of the twentieth century. My interest in the music of Schnittke began from an extension in my research of the music of Shostakovich, who, as an earlier composer of the Soviet orbit, was quite influential on …
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The Solo Compositions for Trumpet of Fisher Aubrey Tull: An Analysis of Structural, Technical, and Stylistic Elements for Performance Preparation, with Three Recitals of Selected Works by Bozza, Fasch, Haydn, Tomasi, and Others
… output for the trumpet is prolific and is acknowledged to be music of high quality. An examination of Trumpet and Brass Programs, compiled and published annually by the International Trumpet Guild, shows Tull's solo and ensemble works for trumpet to be frequently performed. Furthermore, his …