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Showing 1 to 20 of 56 for “"Conceptual art"”.

  1. Conceptual art and artists' books : an Australian perspective

    It will be argued in this thesis that Australian conceptual and post-object artists' books established the field of Australian artists' books. From an Australian perspective, this thesis will investigate the international field of practice as it formed within global conceptualism through the period …

    aus-cath Repository record for Conceptual art and artists' books : an Australian perspective (opens in a new tab)

  2. Conceptual art and artists' books : an Australian perspective

    It will be argued in this thesis that Australian conceptual and post-object artists' books established the field of Australian artists' books. From an Australian perspective, this thesis will investigate the international field of practice as it formed within global conceptualism through the period …

    anu Repository record for Conceptual art and artists' books : an Australian perspective (opens in a new tab)

  3. Sensible Signs: Pictures and Not Painting After Conceptual Art

    … to debates regarding aesthetics versus art history and theory. It provides a contextual review of anti-aesthetic legacies of pop and conceptual art developing from an understanding of modern art as de-humanized. The research is concerned with why, how and what to paint after conceptual

    westminster Repository record for Sensible Signs: Pictures and Not Painting After Conceptual Art (opens in a new tab)

  4. IAIN BAXTER& and N.E. THING CO.: A Study in Pop-Inflected Conceptual Art

    The Canadian artist IAIN BAXTER&, known before 2005 as Iain Baxter, created an innovative Conceptual Art practice in the mid-60s that continues to make important contributions even today. He has maintained a strong collaborative element in his art, as witnessed by his role in the short-lived group …

    vcu Repository record for IAIN BAXTER& and N.E. THING CO.: A Study in Pop-Inflected Conceptual Art (opens in a new tab)

  5. The symbolism and self-imaging of Marcel Duchamp

    "Revered as ""the father of modern art,"" Marcel Duchamp's idea inspired many new art forms after the 1960s including Neo-Dada, Op, Pop, Mobile Sculpture, Junk Art, Assemblage, Body Art, Happening, and Conceptual Art. Given his profound influence on contemporary and subsequent artists, Duchamp's …

    uiuc Repository record for The symbolism and self-imaging of Marcel Duchamp (opens in a new tab)

  6. Developing Domain-Specific Generative Methods

    … to specific applications in virtual try-on, conceptual art, and domain-specific image classification. In addition to the technical contributions, this thesis explores broader open questions about domain-specific generative models; for example, how can we carefully construct our training data …

    mit Repository record for Developing Domain-Specific Generative Methods (opens in a new tab)

  7. The Book as a Cultural Object: Exploring the Symbolism of Artist's Books

    <p>Contemporary artists books developed as part of the Conceptual art movement of the 1960s and 1970s. This is a complex, intellectual art form, and in many instances these works of art do not necessarily resemble a traditional book. Artists use the cultural symbolism associated with reading, …

    dominican Repository record for The Book as a Cultural Object: Exploring the Symbolism of Artist's Books (opens in a new tab)

  8. Investigação sobre a matéria do pensamento: um estudo sobre a não-forma como gênese

    … with what we use to call developings of conceptual art, especifically Art and Life binomal. This way, in the cloud object I looked for the reflections about the changes happened in contemporany Art decorred of the today's original presentification of a historical methodologic Non-Form and …

    brazil-uerj Repository record for Investigação sobre a matéria do pensamento: um estudo sobre a não-forma como gênese (opens in a new tab)

  9. Thinking art post-aesthetically : beyond expression, experience and consciousness

    … asks: in what way can the practice of art, and the encounter with the work of art, constitute the site for a form of philosophical thinking? The work draws on ‘post-aesthetic’ theory, and, in particular, the philosophy of Martin Heidegger and Jacques Derrida to ask: to what extent would …

    uts Repository record for Thinking art post-aesthetically : beyond expression, experience and consciousness (opens in a new tab)

  10. Artistic Landscapes: Dancing Beyond the Stage; An Investigation of 1960s Site-Specific Dance Through the Chorography f Anna Halprin, Trisha Brown and Twyla Tharp

    … became popular among the post-modern dance artists of the 1960s. These artists raised questions about the basic principles of dance such as: who could dance, why and for what audience. Dancers were not alone in this quest to understand their art; their intrigue was part of a larger …

    dominican Repository record for Artistic Landscapes: Dancing Beyond the Stage; An Investigation of 1960s Site-Specific Dance Through the Chorography f Anna Halprin, Trisha Brown and Twyla Tharp (opens in a new tab)

  11. The logics of deflation: autonomy, negation and the avant-garde

    … Philosophy, Historical Materialism, Oxford Art Journal, Third Text) and in museum publications. The publications address a number of key issues affecting the production and interpretation of contemporary art and the' everyday', art's institutionalization and art's autonomy, the role of the …

    wlv Repository record for The logics of deflation: autonomy, negation and the avant-garde (opens in a new tab)

  12. Words Matter: The Work of Lawrence Weiner

    … explores the practice of contemporary artist Lawrence Weiner. From 1968 onwards, Weiner has presented his work using language and, as such, the artist is historically regarded as one of the pioneering practitioners of Conceptual art. The artist himself categorically refuses that …

    columbia-diss Repository record for Words Matter: The Work of Lawrence Weiner (opens in a new tab)

  13. Interstitial passages: re-enactment of queer bodies of color in art and literature

    … the connections between literature and visual art to re-enact and re-imagine queer bodies of color in liminal spaces or porous passages as a means of contesting invisibility, exclusion, and displacement. I engage in the literature of James Baldwin and John Rechy and the conceptual art of Felix …

    umkc Repository record for Interstitial passages: re-enactment of queer bodies of color in art and literature (opens in a new tab)

  14. Defining the public three moments of audience address in 20th century artistic production

    … characterized one trajectory of post-minimalist artistic production. Vladimir Tatlin and EI Lissitzky attempted to meet the demands of a newly-forming proletariat class by siting their work in the space of political and public activity. This effort to engender a simultaneous collective response, …

    mit Repository record for Defining the public three moments of audience address in 20th century artistic production (opens in a new tab)

  15. What more is there to be said?: modern poets on visual art

    … to examine the different ways in which visual art can play a role in poetry. It:<br/><br/>(i) looks at a variety of poems about representational art to assess in what ways such poems do or do not work effectively (Chapter 1: Representing Representation: Introductory Remarks);<br/>(ii) examines …

    southwales Repository record for What more is there to be said?: modern poets on visual art (opens in a new tab)

  16. Fuite hors de l’objet Joseph Kosuth et Robert Smithson ̀la fin des années soixante

    The conceptual art of Joseph Kosuth and the earthworks of Robert Smithson mark, at the end of the sixties, a radical break from the modernist and formalist tradition in that they reject the art object. While minimalism signals the end point of a strategy of negation (Adorno) at it has been carried …

    ubc Repository record for Fuite hors de l’objet Joseph Kosuth et Robert Smithson ̀la fin des années soixante (opens in a new tab)

  17. Art & Agency: Transforming Relationships of Power Through Art in Iraqi Kurdistan

    … ideals. Utilizing the work of Kurdish artists as well as arts-based perspectives, this study goes beyond the political rhetoric of Kurdish nationalism to understand meaning making within this cultural context and how meaning translates into ideas and behaviors, potentially, producing …

    kennesaw Repository record for Art & Agency: Transforming Relationships of Power Through Art in Iraqi Kurdistan (opens in a new tab)

  18. Artists’ Pages: the Accessibility of Art Through the Printed Page 1966 – 1973

    Contemporary interest in artists’ printed ephemera and the restaging of historic exhibitions from the early conceptual era 1966-1973 has drawn attention to the materiality of work that was originally defined as being idea or process-based. This research investigates how artists used pages in group …

    arts-london Repository record for Artists’ Pages: the Accessibility of Art Through the Printed Page 1966 – 1973 (opens in a new tab)

  19. The unsound object and intimate space

    … around these two terms to pluralise sound art histories, with the aim of opening up practical discourse between artistic fields. The research begins with musique concrète and Pierre Schaeffer’s sound object, but draws on Mladen Dolar’s voice object, Christof Migone’s unsound and Six Years, …

    arts-london Repository record for The unsound object and intimate space (opens in a new tab)

  20. Dan Graham's Video-Installations of the 1970s

    … the video-installations created by American artist Dan Graham in the 1970s. It investigates the artist's relationship to Minimalism by analyzing themes Graham highlights in his own writings and in interviews. In particular, I explore how the artist's understanding of Herbert Marcuse, Walter …

    vcu Repository record for Dan Graham's Video-Installations of the 1970s (opens in a new tab)

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