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Showing 1 to 5 of 5 for “"Compson"”.
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Matrices Of Disorder: Class, Race, And The Policing Of Normative Southern Femininity In William Faulkner's The Sound And The Fury, As I Lay Dying, Sanctuary, And Requiem For A Nun
… main female characters of these novels: Caddy Compson, Addie and Dewey Dell Bundren, Temple Drake, and Nancy Mannigoe, respectively, to reveal how race and class are indelible to the performance of gender in the literature of the early twentieth century South. The focus of this project will be …
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Growing Up Faulkner: Coming of Age, Identity, and Parental Responsibility in Three Faulkner Families.
… strange coming of age of their children. In the Compson family, the Sutpen family and the Bundren family, the influence of the parents' action or paralysis confuses the identities and roles of their children. The children often look to themselves or to one another in absence of healthy parental …
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An Isotopic Examination of Cave, Spring and Epigean Trophic Structures in Mammoth Cave National Park
… CAVE NATIONAL PARK</p> <p>Name: Zacchaeus Greg Compson Date: October 15, 2004 Pages: 56</p> <p>Directed by: Philip Lienesch, Doug McElroy, Michael Stokes and Richard Bowker</p> <p>Department of Biology Western Kentucky University</p> <p><strong>Abstract</strong></p> <p>High-water events in the …
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Keeping "body and soul together": Rosa Coldfield's gothic voice in absalom, absalom!
… Thomas Sutpen is surrounded by narratives of Mr. Compson, Quentin, Shreve and a third person narrator. Rosa’s position as an old maid, paradoxically, validates her position as storyteller and provides her with an audience. The next section, “Absalom, Absalom! as Female Gothic Text,” sets Rosa up …
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"Motionless as an Idol": The Roles of Art, Modernism, and Religion in William Faulkner's Construction of Gender
… coffin, disclosing her subj edification. Caddy Compson is also related to art metaphors that render her in the same manner as the two other women, struggling against the male domination that threatens her existence and relegates her identities to what is deemed acceptable. Faulkner exposes his …