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Showing 1 to 4 of 4 for “"Complex music"”.

  1. Pianismo de concerto no Rio de Janeiro do século xix

    … salon-pianism, which means basically private music in homes, salons or even small events, to which ball music, singing and instrumental performance of technically non-complex music is related. We try to work out, in the study of the phenomenon, two complementary approaches: one interpreting …

    brazil-uerj Repository record for Pianismo de concerto no Rio de Janeiro do século xix (opens in a new tab)

  2. Automatic identification of musical schemata

    This study was stimulated by the Galant musical schemata theory (GMST), an example–based learning and compositional practice that peaked in popularity around the early 18th century in Europe, suggesting a culturally–defined classification of polyphonic patterns. Under the premises of the GMST and …

    de-montfort Repository record for Automatic identification of musical schemata (opens in a new tab)

  3. The (un)Natural Baroque: Giambattista Marino and Monteverdi's Late Madrigals

    … an important aesthetic shift in Italian secular music. The madrigals of Claudio Monteverdi (1567–1643) have often been seen to bridge the gap between the Renaissance and the Baroque since they introduced instrumental writing and operatic elements into a traditionally vocal genre. There is an …

    toronto-retro Repository record for The (un)Natural Baroque: Giambattista Marino and Monteverdi's Late Madrigals (opens in a new tab)

  4. Becoming Persian Music: A Poststructuralist Approach to Composition

    … compositional methodologies grounded in Persian musical and linguistic traditions. It undertakes this inquiry within the encompassing ambit of an interdisciplinary framework, intertwining (ethno)musicology, conceptual history, music theory, sociopolitical thought, semiotics, linguistics, and …

    cambridge Repository record for Becoming Persian Music: A Poststructuralist Approach to Composition (opens in a new tab)