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Showing 1 to 4 of 4 for “"Coen Brothers"”.

  1. Going Down the 'Wabbit' Hole: A Remediative Approach to the Filmmaking of the Coen Brothers

    The Coen brothers are sometimes dismissed as mere parodists or imitators, simply copying images, themes and motifs from a variety of sources. In a postmodern world, however, strict definitions are more complicated. Whilst we may think of this practice as a mode of intertextual practice, what was …

    dundee Repository record for Going Down the 'Wabbit' Hole: A Remediative Approach to the Filmmaking of the Coen Brothers (opens in a new tab)

  2. Collaboration and Integration: A Method of Advancing Film Sound Based on The Coen Brothers' Use of Sound and Their Mode of Production. Volume 1.

    … and have divided personnel. Joel and Ethan Coen's mode of production stands in contrast to a majority of those currently working in the film industry. They foreground sound's contribution by priming their scripts for sound, involvingtheir sound personnel sooner and by encouraging close …

    bournemouth Repository record for Collaboration and Integration: A Method of Advancing Film Sound Based on The Coen Brothers' Use of Sound and Their Mode of Production. Volume 1. (opens in a new tab)

  3. Collaboration and Integration: A Method of Advancing Film Sound Based on The Coen Brothers’ Use of Sound and Their Mode of Production. Volume 2.

    … and have divided personnel. Joel and Ethan Coen's mode of production stands in contrast to a majority of those currently working in the film industry. They foreground sound's contribution by priming their scripts for sound, involving their sound personnel sooner and by encouraging close …

    bournemouth Repository record for Collaboration and Integration: A Method of Advancing Film Sound Based on The Coen Brothers’ Use of Sound and Their Mode of Production. Volume 2. (opens in a new tab)

  4. A Spinozan Analysis of Film Experience

    … damaged characters: A Serious Man (2009) by the Coen Brothers; Melancholia (2011) by Lars Von Trier; The Act of Killing (2012) by Joshua Oppenheimer; Only Lovers Left Alive (2013) by Jim Jarmusch. Spinoza’s philosophy allows us to appreciate and master sad passions and, at the same time, to show …

    oxford-brookes Repository record for A Spinozan Analysis of Film Experience (opens in a new tab)