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Showing 1 to 2 of 2 for “"Cleopatra VII"”.
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Dominance and radical submission in seventeenth-century drama: chastity, fairness, and silence in portrayals of Mar(r)iam(ne), Sophonisba, and Cleopatra
… I, the Carthaginian noblewoman Sophonisba, and Cleopatra VII. I argue that the English stage produced two models of ancient royalty. Mar(r)iam(ne) and Sophonisba personify one model, functioning as white, seemingly obedient figureheads. I document playwrights portraying their men as reducing …