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Showing 1 to 6 of 6 for “"Claudio Monteverdi"”.
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Similarities in the Use of Dramatic Recitative Style in the Music of Claudio Monteverdi and Giuseppe Verdi, with Some Performance-Practice Issues
… in the use of recitative style in the music of Claudio Monteverdi and Giuseppe Verdi. To achieve this objective, their use of recitative style was examined through comparative analysis of four scenes from their operas: “Arianna's Lament” from L'Arianna and “Disprezzata regina” from …
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A history of the Venetian sacred solo motet (c. 1610--1720).
… works of Venetian composers from the time of Monteverdi to Vivaldi. It revolves around sacred solo motets composed at Saint Marks and the Venetian ospedali (orphanages). It includes works of Alessandro Grandi, Claudio Monteverdi, Francesco Cavalli, and Antonio Vivaldi. It also deals with solo …
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Sigimondo D’India à la cour de Turin. Musique, mécénat et identité nobiliaire (publiée en ligne http://www.e-sorbonne.fr/theses/2014pa040139)
… D’India (1582 ?-1629 ?), contemporain de Claudio Monteverdi, est un compositeur parmi les plus importants du début du XVIIe siècle : l’un des pères fondateurs de la musique moderne. La présente thèse entend le situer dans un contexte qui nécessite d’être rappelé et mis à jour, celui de la …
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The (un)Natural Baroque: Giambattista Marino and Monteverdi's Late Madrigals
… shift in Italian secular music. The madrigals of Claudio Monteverdi (1567–1643) have often been seen to bridge the gap between the Renaissance and the Baroque since they introduced instrumental writing and operatic elements into a traditionally vocal genre. There is an unmistakable change in …
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Speaking in Tones: Plainchant, Monody, and the Evocation of Antiquity in Early Modern Italy
… Peri, Giulio Caccini, Emilio de’ Cavalieri, and Claudio Monteverdi used plainchant formulas in their compositions for solo voice: Peri used psalm tones in <i>Euridice</i>; Caccini used Tenebrae chant melisma in <i>Le nuove musiche</i>; Cavalieri quoted the Lamentations chant in his …
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Chord Conundrum: Examining the Performance Practice of Polyphonic Figures in J.S. Bach's Solo Violin Works
… styles changed significantly. In his operas, Claudio Monteverdi (1567-1643) assigned parts to specific instruments in the score, additionally expanding their importance in the musical texture (Burkholder 316). Giovanni Gabrieli (1554-1612) wrote many compositions for cori spezzati, or divided …