Global ETD Search

Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.

Results

Showing 1 to 3 of 3 for “"Classical Hollywood cinema"”.

  1. Set Pieces: Theatrical Space and the Arrangement of Things in Classical Hollywood Cinema

    This thesis develops a sustained account of the cinematographic set piece. While the term is ubiquitous in production discourse, it lacks a clear definition and usually names expensive spectacles or displays of performance virtuosity. Here it is redefined as a bracketed, overtly theatrical sequence …

    cambridge Repository record for Set Pieces: Theatrical Space and the Arrangement of Things in Classical Hollywood Cinema (opens in a new tab)

  2. Temporality, Spatiality and Looking in Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975) and Agnès Varda's Cléo from 5 to 7 (1962)

    … atypical representations of time and space in cinema can alter the spectator's habitual perceptions, particularly regarding the structuring of looks identified by Laura Mulvey in her article 'Visual Pleasure and Narrative Cinema'. In the present work, I argue that the use of real time in the …

    unm Repository record for Temporality, Spatiality and Looking in Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975) and Agnès Varda's Cléo from 5 to 7 (1962) (opens in a new tab)

  3. “Ek sal jou heeltyd dophou.” (I'll be watching you the whole time) Surveillance and the Male Gaze in Films by Black South African Women

    … 1975 essay, ‘Visual Pleasure and Narrative Cinema,' on the male gaze in Classical Hollywood cinema serves as the springboard for a close textual analysis of Jyoti Mistry's Impunity (2015) and Nosipho Dumisa's Nommer 37 (Number 37) (2018). I set out to determine how Mistry and Dumisa use the …

    cape-town Repository record for “Ek sal jou heeltyd dophou.” (I'll be watching you the whole time) Surveillance and the Male Gaze in Films by Black South African Women (opens in a new tab)