Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
Results
Showing 1 to 20 of 32 for “"Cinéma"”.
-
Three experiments in Cinéma Vérité
Thesis. 1977. M.S.--Massachusetts Institute of Technology. Dept. of Architecture.
-
Le cinéma et l'adolescent chrétien
Abstract not available.
-
L'épidémie au cinéma : de l'infiniment grand à l'infiniment petit
… les écrans et pourtant absents des ouvrages de cinéma. En conjuguant analyse d’images et analyse de récits, cette recherche tente de faire le tour d’une question qui peut, de prime à bord, sembler évidente (montrer l’épidémie à l’écran, c’est donner à voir des contaminés), et qui, en pratique, …
-
Le Cinéma des Réalisatrices Black-British : Entre Invisibilité et Stratégies de Résistance
… devant, mais aussi derrière, les écrans de cinéma et de télévision. Nous verrons dans quelle mesure ces plans d’action ont réellement favorisé l’inclusion d’un plus grand nombre de femmes noires à des postes de réalisatrices, et ce que sous-tend cette inclusion. Défini par de multiples …
-
La figurine cisanthrope - Humanité liminale et contagion affective dans le cinéma d'animation
This thesis aims at answering an apparently simple question: How come "cartoony" characters always seem to be able to trigger better affective responses than more realistic ones (therefore avoiding the uncanny valley). By linking classical animated cartoons to their print cartoon ancestors, the …
-
A North Wind: The New Realism of the French-Walloon Cinéma du Nord
… people for the globalized digital era. The cinéma du Nord is an exemplary instantiation of this global new realist tendency. I coin the cinéma du Nord as a transnational regional cinema rooted in the French North and the Belgian South. Once industrial centers, these regions suffered severe …
-
Représentations de la violence révolutionnaire dans la littérature et le cinéma français (1928-1986)
<p>In my dissertation, I study the constants and the variables of the representation of: mostly left-wing) militants in 20th century French literature and film. I demonstrate that they are young idealists seeking personal rejuvenation through political violence. Moreover, I show how those works are …
-
Événements, histoire et mémoire la crise de l'identité russe dans le film "Anna 6-18" du réalisateur Nikita Mikhalkov (1980-1993)
Le cinéma constitue un outil de représentation culturel très complet et complexe, de par la juxtaposition de l'image et du son au récit principal, mais aussi, car il permet de comprendre l'image qu'un individu et/ou une société véhicule d'elle-même et des autres.Le cinéma met en scène le présent …
-
Le regard et ses voltes : représentation et modélisation spectatorielle dans la production cinématographique des premiers temps
… etc.). Etude de quelques aspects du cinéma des premiers temps.
-
Cinéma sénégalais: évolution thématique du discours filmique dans les oeuvres de Sembene Ousmane, Djibril Diop Mambety, Moussa Sène Absa, Jo Gaye Ramaka et Alain Gomis
This work aims at filling a gap in African cinema studies. The plurality in film production has been neglected or overseen by Africanist critiques as well as most of the filmmakers from the continent. Such continental shield of a monolithic Africa has been carried by European anthropologists and …
-
Weaving a Universal Narrative: A Comparative Screenplay Analysis of Parasite and Blue Velvet
… universality of the cinematic language (Lingua Cinéma). My methodology for this thesis will be to identify and offer a comparative analysis of narrative, visual, and sound elements based on interpretive and evaluative claims to determine and establish a universal film narrative. Blue Velvet …
-
Du mythe à la subversion trois manifestations de la figure du zombie filmique
… à établir un portrait de la figure du zombie au cinéma, à donner un aperçu de son évolution, et à déterminer la nature du rôle, qu'il semble exercer sur la société représentée où il sévit.
-
Hoc est enim corpus meum: christian art and passion inonography in the work of Pier Paolo Pasolini and Jean-Luc Godard
… (1985), Hélas pour moi (1993) and Histoire(s) du cinéma (1988–1998), I consider how the selected works of the two directors overlap and interact in their use of art-historical imagery as a mediating agent for the sacred—specifically as figured by the human body—within the filmic image.
-
Near Real Time
… inheritance of the Vidéogazette and related cinéma militant. What these three works share is an approach to scripting a voice whose polyphony embodies the multiple subjectivities and perspectives emanating from the material as much as it is situated in the conditions of the production of the …
-
Re-mapping the Atlantic: transatlantic mobility in contemporary African literature in French and English
… Americanah (2013), Blick Bassy’s Le Moabi Cinéma (2016), Taiye Selasi’s Ghana Must Go (2013), Abdourahman A. Waberi’s Passage des larmes (2009), and Léonora Miano’s Crépuscule du tourment duology (2016/17). It argues that, in addition to documenting the racism that continues to blight the …
-
An Opposition in Search of Itself: Modern French Cinema and the Algerian War
… of auteurs and their writings in Cahiers du cinéma. I return to Positif’s under-theorized criticism to illuminate how film culture in France functioned as a heterogeneous field of debate, in which political divisions were largely determined in relation to the question of colonialism’s …
-
Making political films politically?:the film-making practice of Jean-Luc Godard
… 1968 is traced in journals such as Cahiers du Cinéma and Screen and in the work of their editors and contributors. Godard's relationship with such theories was a complex one and some of the cross-breeding is revealed in a brief account of his own ideas about his film-making. More important, …
-
Tasha: A practice-based problematisation of Australian comedy cinema’s representation of gender, family and nationhood
… Bazin’s question, “Qu'est-ce que le cinéma?” (What is cinema?), with a theoretical framework inspired by Australian film theorist Tom O’Regan’s influential text, Australian National Cinema. The exegesis begins by looking at Australian national cinema as a whole, then narrowing the …
Page 1 of 2