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Showing 1 to 7 of 7 for “"Chord Progression"”.

  1. Perspectives on teaching jazz piano "comping" in the college music program with sample instructional units

    … comping. Harmonic materials include seven basic chord structures, harmonic extensions and alterations, upper-structure triads, II-V-I cadences, tritone substitution, chord successions, and typical chord progressions. Rhythmic materials include typical jazz rhythms. Each instructional unit is …

    ballstate-thes Repository record for Perspectives on teaching jazz piano "comping" in the college music program with sample instructional units (opens in a new tab)

  2. Middle School String Improvisation and Composition: A Beginning

    … teaching the basic steps in playing a twelve bar chord progression. Improvised rhythms played on one note were integrated into the progression. The students discovered how to create an improvised melody by playing two notes in a rhythmic pattern. Additional notes were added gradually. The students …

    montana-tech Repository record for Middle School String Improvisation and Composition: A Beginning (opens in a new tab)

  3. Middle School String Improvisation and Composition: A Beginning

    … teaching the basic steps in playing a twelve bar chord progression. Improvised rhythms played on one note were integrated into the progression. The students discovered how to create an improvised melody by playing two notes in a rhythmic pattern. Additional notes were added gradually. The students …

    montana Repository record for Middle School String Improvisation and Composition: A Beginning (opens in a new tab)

  4. A Theory of Orthography and the Fundamental Bass for the Late Oeuvre of Scriabin

    … motion. By invoking Rameau’s principle of root progression via the constituent intervals of a klang, Chapter 5 synthesizes these results with those of Chapter 3 to form a fundamental bass theory for the works of the late œuvre. By extending Cheong Wai Ling’s concept of the octatonic referent, …

    ohiolink Repository record for A Theory of Orthography and the Fundamental Bass for the Late Oeuvre of Scriabin (opens in a new tab)

  5. TablaNet : a real-time online musical collaboration system for Indian percussion

    … musically-relevant value like one phrase, or one chord progression cycle, and then play it in a loop, thereby constraining the music being performed. In this thesis I propose TablaNet, a real-time online musical collaboration system for the tabla, a pair of North Indian hand drums. This system is …

    mit Repository record for TablaNet : a real-time online musical collaboration system for Indian percussion (opens in a new tab)

  6. How Do You Sift Through Time? Concerto for Horn, Winds, and Percussion

    … with its winding variations over a repeating chord progression, offers an image somewhat like a computer scientist parsing through countless lines of code, taking care to investigate each one along the way. The work concludes with a thrust of desperate energy out of a quiet abyss, leaving a …

    alabama Repository record for How Do You Sift Through Time? Concerto for Horn, Winds, and Percussion (opens in a new tab)

  7. Predominant-Dominant Chains in Japanese Video Game Music

    … music feature rapid modulations based on common chord progressions that necessitate contextual readings of harmonies in various keys to isolate how they manipulate tonal space. One such progression used by Japanese game music composers utilizes chains of predominant-dominant chords to move key …

    usm Repository record for Predominant-Dominant Chains in Japanese Video Game Music (opens in a new tab)