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Showing 1 to 7 of 7 for “"Chinese-ness"”.

  1. Performing ‘Chinese-Ness’: Articulating Identities-Of-Becoming In The Works Of Four Sinophone Theatre Director-Playwrights In The 1980S

    … that attempts to reflect the diversity of the Chinese-speaking world. By presenting a circuit of Sinophone creativity that differs substantially from that assumed by conventional literary history, which focuses on the People's Republic of China, I investigate the formation of identity in the …

    cornell Repository record for Performing ‘Chinese-Ness’: Articulating Identities-Of-Becoming In The Works Of Four Sinophone Theatre Director-Playwrights In The 1980S (opens in a new tab)

  2. Perpetual Shuttling: An Investigation into Design for Chinese Diasporic Identities in Negotiation

    … cultures and identities. Historically, the Chinese Canadian diaspora was essentialized and constrained in its development and problems of alienation, invalidation and marginalization persist to this day. Furthermore, this community is no longer as monolithic as it once was and there are …

    york Repository record for Perpetual Shuttling: An Investigation into Design for Chinese Diasporic Identities in Negotiation (opens in a new tab)

  3. Neon signs, underground tunnels and Chinese American identity : the many dimension of visual Chinatown

    … and Boston's Chinatown, as exemplified by three Chinese restaurants in the area. I use Erving Goffman's idea of everyday performance in order to dissect the ways in which people and spaces perform "Chinese-ness" for outsiders of the community. By focusing all three chapters on the material, …

    mit Repository record for Neon signs, underground tunnels and Chinese American identity : the many dimension of visual Chinatown (opens in a new tab)

  4. Encountering 'Sainaman': Friction at a Papua New Guinea Mining Contact Zone

    This thesis is an ethnographic case study of the Chinese majority-run Ramu Nickel Cobalt Project and its relationship with the indigenous communities on whose land the mine and refinery are located, in Madang Province of Papua New Guinea (PNG). To date, the Ramu mine is not only China's largest …

    aus-cath Repository record for Encountering 'Sainaman': Friction at a Papua New Guinea Mining Contact Zone (opens in a new tab)

  5. A - Y: Of ‘British Chinese’ Art

    A –Y: Of ‘British Chinese’ Art takes as a point of departure the work of Lesley Sanderson, and her positionings within and between dominant and marginalised ‘Black,’ ‘British,’ ‘Chinese,’ and ‘Asian’ curatorial and discursive frames during the 1980s and 1990s, to consider the politics and …

    arts-london Repository record for A - Y: Of ‘British Chinese’ Art (opens in a new tab)

  6. Encountering 'Sainaman': Friction at a Papua New Guinea Mining Contact Zone

    This thesis is an ethnographic case study of the Chinese majority-run Ramu Nickel Cobalt Project and its relationship with the indigenous communities on whose land the mine and refinery are located, in Madang Province of Papua New Guinea (PNG). To date, the Ramu mine is not only China's largest …

    anu Repository record for Encountering 'Sainaman': Friction at a Papua New Guinea Mining Contact Zone (opens in a new tab)

  7. “I don’t belong to either side. I lost my identity”: A Thematic Analysis Study on Chinese International Students’ Interpersonal Experiences During the COVID-19 Pandemic

    … impacts on everyone’s life globally. However, Chinese international students (CIS) are not only susceptible to challenges brought about by COVID-19 but also endure stigma and discrimination for being “virus carriers” due to their Chinese nationality. As international students, they face …

    penn Repository record for “I don’t belong to either side. I lost my identity”: A Thematic Analysis Study on Chinese International Students’ Interpersonal Experiences During the COVID-19 Pandemic (opens in a new tab)