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Showing 1 to 1 of 1 for “"ChicanX/a/o cinema"”.
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(De/Re)Constructing ChicanX/a/o Cinema: Liminality, Cultural Hyphenation, and Psychic Borderlands in <em>Real Women Have Curves</em> and <em>Mosquita y Mari</em>
<p>When discussing ChicanX/a/o cinema, as situated in the United States, its relationship to “American” cinema is one of decoloniality that interrogates the contradictions of a diverse yet homogenous national identity. The formation of cultural identity in conjunction with national identity is …