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Showing 1 to 2 of 2 for “"Chantal Akerman"”.

  1. Gesture and the cinéaste: Akerman/Agamben, Varda/Warburg

    … the writings and films of the écrivain-cinéaste, Chantal Akerman, whose gesturality, equal parts literary and cinematic, is explored through Giorgio Agamben’s similarly language-based thoughts on gesture, the moving image and repetition. Charting a three-stage gesture of (displaced) demonstration …

    cambridge Repository record for Gesture and the cinéaste: Akerman/Agamben, Varda/Warburg (opens in a new tab)

  2. Temporality, Spatiality and Looking in Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975) and Agnès Varda's Cléo from 5 to 7 (1962)

    Temporality, Spatiality and Looking in Chantal Akermans Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975) and Agnès Varda's Cléo from 5 to 7 (1962) examines the ways in which atypical representations of time and space in cinema can alter the spectator's habitual perceptions, …

    unm Repository record for Temporality, Spatiality and Looking in Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975) and Agnès Varda's Cléo from 5 to 7 (1962) (opens in a new tab)