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Showing 1 to 1 of 1 for “"Catherine Deneuve"”.
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« L'illusion de l'amour n'est pas l'amour trouvé » : Camp and queer desire in Jacques Demy's Les Parapluies de Cherbourg, Les Demoiselles de Rochefort, and Peau d'âne
… triptych is situated in a queer sensibility. Catherine Deneuve, Demy's "princesse idéale," is read as the reification of this sensibility in her potent performance of gender at the confluence of masculine and feminine qualities, as well as the ideal tabula rasa onto which the queer viewer's …