Global ETD Search
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Showing 1 to 6 of 6 for “"Caryl Churchill"”.
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The uses of history in contemporary British political drama: David Edgar, Howard Brenton, and Caryl Churchill
… playwrights. David Edgar, Howard Brenton, and Caryl Churchill are of a post-Pinter generation of expressly socialist dramatists who have used agitational propaganda, documentary, and social-realist forms to subvert the dominant narratives of British history. Manipulating such received histories …
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Postmodern elements of theories and practice in the collaborative works of the necessary stage, Caryl Churchill and the Wooster group
… collaborative practices of British playwright Caryl Churchill and American’s Wooster Group are compared to examine the relationships between their processes and application of artistic strategies in organising their materials. The thesis concludes with an analysis of how a Singaporean theatre …
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A phenomenological criticism: A phenomenologically based methodology for analyzing theatrical works
… to enrich the analytical approach. Two plays, Caryl Churchill and David Lan's A Mouthful of Birds, and Jean Genet's The Screens, and one performance piece, Holly Hughes' Dress Suits for Hire, demonstrate the approach.
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Between reality and mystery : food as fact and symbol in plays by Ibsen and Churchill.
In Henrik Ibsen's and Caryl Churchill's plays, food is both fact and symbol, a reminder of both the shared physicality of the actors and spectators and of an equally powerful human desire for symbolic significance. This thesis examines the depictions of both facets of human consumption in Ibsen's A …
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Caryl Churchill’s Later Plays: Textuality and Practice
… widespread fascination with the later work of Caryl Churchill, critical description of the plays is still catching up with what have appeared to be a series of innovations and new departures. This thesis builds on recent critical work on these plays, notably that by Elaine Aston, and puts …
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Female vocality in theatre : sounding, hearing, and structures of feeling re-framed
… and in this regard, I refer to playwrights Caryl Churchill and Sarah Kane and their respective innovative use of dramatic and dialogic structure which deconstructed the more traditional (patriarchal) forms. Aspects of the post-dramatic theatre are considered in an endeavour to propose …